Man-woman relationships -- Fiction; Missing persons -- Fiction; Mystery fiction; Young women -- Fiction
“Let me see her,” she said.
Mrs. Royce led the way upstairs. She went at an unusual rate of speed,
so that she was panting when she reached the top.
“Kind of vi’lent!” she whispered, pointing downstairs, where Captain
Grey was.
“This room?” asked Lexy. “Shall I go in?”
“Well,” said Mrs. Royce, “seems to me I’d knock, if I was you.”
Knock on the door of the room where Mrs. Quelton lay? Knock, and
expect an answer from that voice? It seemed to Lexy, for a moment,
that she could not raise her hand.
But she did. She knocked, and she was answered. She turned the handle
and went in. An oil lamp stood on the bureau, and outside the circle
of its mellow light, in the shadow, Mrs. Quelton was sitting on the
edge of the bed; and it seemed to Lexy that she had never seen such a
forlorn and pitiful figure.
“Oh, my dear!” she cried impulsively, and held out her arms.
Mrs. Quelton rose. She came toward Lexy, her hands outstretched—when a
sudden cry from Mrs. Royce arrested her.
“But that ain’t Mrs. Quelton!” cried the landlady.
XXIV
If Lexy had not caught the unhappy woman, she would have fallen; but
those sturdy young arms held her, and, with Mrs. Royce’s help, they
got her on the bed. White as a ghost, incredibly frail in her black
dress, she lay there, scarcely seeming to breathe.
“It _ain’t_ Mrs. Quelton!” repeated Mrs. Royce, in a whisper.
“I know!” said Lexy softly. “Will you get me water and a towel,
please?”
Mrs. Royce went out of the room, and Lexy knelt down beside the bed.
She did know now—the woman whom they had all called Muriel Quelton was
really Caroline Enderby.
Lexy did not blame herself for not having known before. Looking at
that face now, in its terrible stillness, she could trace the familiar
features easily enough, but how changed! How worn and lined, how
_old_! The brows, the lashes, the soft, disordered hair, were black
now instead of brown; but that merely physical alteration was of no
significance, compared with that other awful change. It was Caroline
Enderby, the gentle and pitifully inexperienced girl of nineteen, but
it was Mrs. Quelton, too, that tragic and somber figure.
Mrs. Royce came back with a basin of water, clean towels, and a
precious bottle of eau de Cologne.
“Poor lamb!” she whispered. “Ain’t she pretty?”
Lexy wet a towel and passed it over that unconscious face again and
again. Mrs. Royce watched, spellbound; for the dark and haggard
stranger was passing away before her very eyes, and some one else was
coming into life—some one quite young and—
The closed lids fluttered, and then opened.
“Lexy!” murmured the metamorphosed one.
“I’m here, Caroline!” said Lexy, with a stifled sob. “Everything’s all
right, dear! Don’t worry—just rest!”
“I can’t, Lexy! I can’t!” she answered, and from her eyes, now closed
again, tears came running slowly down her cheeks.
“Yes, you can!” said Lexy. “We’ll—”
Public-domain text, read in full here on John Shaqi.
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