And then, after they had both made their bow and gone out, in bounded
and tumbled the dogs, barking and grinning all over, jumping up on their
stools and benches, wriggling and pushing one another about, giggling
and excited like so many kindergarten children on a show-day. I am sure
they enjoyed their performance as much as the audience did, for they
never had to be told what to do, and seemed only too eager for their
turn to come. The best of it all was that they were quite unconscious
of the audience and appeared to do their tricks for the sake of the
tricks themselves, and not for the applause which followed them. And
then, after the usual programme of wicker cylinders, hoops, and balls
was over, they all rushed off amid a furious scrattling of paws and
filliping of tails and heels.
While this was going on, we had been hearing from time to time a great
sound, half-whine, half-rumbling guttural cough, that came from
somewhere behind the exit from the cage. It was repeated at rapidly
decreasing intervals, and grew lower in pitch until it ended in a short
bass grunt. It sounded cruel and menacing, and when at its full volume
the wood of the benches under us thrilled and vibrated.
There was a little pause in the programme while the arena was cleared
and new and much larger and heavier paraphernalia was set about, and a
gentleman in a frock coat and a very shiny hat entered and announced
"the world’s greatest lion-tamer." Then he went away and the tamer came
in and stood expectantly by the side of the entrance, there was another
short wait and the band struck a long minor chord.
And then they came in, one after the other, with long, crouching,
lurching strides, not at all good-humouredly, like the dogs, or the
elephant, or even the bear, but with low-hanging heads, surly, watchful,
their eyes gleaming with the rage and hate that burned in their hearts
and that they dared not vent. Their loose, yellow hides rolled and
rippled over the great muscles as they moved, and the breath coming from
their hot, half-open, mouths turned to steam as it struck the air.
A huge, blue-painted see-saw was dragged out to the centre, and the
tamer made a sharp sound of command. Slowly, and with twitching tails,
two of them obeyed and clambering upon the balancing-board swung up and
down, while the music played a see-saw waltz. And all the while their
great eyes flamed with the detestation of the thing and their black
upper lips curled away from their long fangs in protest of this hourly
renewed humiliation and degradation.
And one of the others, while waiting his turn to be whipped and bullied,
sat up on his haunches and faced us and looked far away beyond us over
the heads of the audience—over the continent and ocean, as it were—as
though he saw something in that quarter that made him forget his present
surroundings.
Public-domain text, read in full here on John Shaqi.
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