But this was long afterward. He died hard, and sometimes he would have
moments of strength in his weakness, just as before he had given up his
career during a moment of weakness in his strength. During the first
years after he had given up his career, he thought he was content with
the way things had come to be; but it was not so, and now and then the
old feeling, the love of the old life, the old ambition, would be
stirred into activity again by some sight, or sound, or episode in the
conventional life around him. A chance paragraph in a newspaper, a
sight of the Arizona deserts of sage and cactus, a momentary panic on a
ferry-boat, sometimes even fine music or a great poem would wake the
better part of him to the desire of doing great things. At such times
the longing grew big and troublous within him to cut loose from it all
and get back to those places of the earth where there were neither
months nor years, and where the days of the week had no names; where he
could feel unknown winds blowing against his face and unnamed mountains
rising beneath his feet; where he could see great, sandy, stony
stretches of desert with hot, blue shadows, and plains of salt, and
thickets of jungle-grass, broken only by the lairs of beasts and the
paths the steinbok make when they go down to water.
The most trifling thing would recall all this to him, just as a couple
of notes have recalled to you whole arias and overtures. But with
Toppan it was as though one had recalled the arias and the overtures and
then was not allowed to sing them.
We went into the arena and sat down. The ring in the middle was fenced
in by a great, circular, iron cage. The tiers of seats rose around
this, a band was playing in a box over the entrance, and the whole
interior was lighted by an electric globe slung over the middle of the
cage.
Inside the cage a brown bear—to me less suggestive of a wild animal than
of lap-robes and furriers’ signs—was dancing sleepily and allowing
himself to be prodded by a person whose celluloid standing-collar showed
white at the neck above the green of his Tyrolese costume. The bear was
mangy, and his steel muzzle had chafed him, and Toppan said he was
corrupted of moth and rust alike, and the audience applauded but feebly
when he and his keeper withdrew.
After this we had a clown-elephant, dressed in a bib and tucker and vast
baggy breeches—like those of a particularly big French _Turco_—who had
lunch with his keeper, and rang the bell and drank his wine and wiped
his mouth with a handkerchief like a bed-quilt, and pulled the chair
from underneath his companion, seeming to be amused at it all with a
strange sort of suppressed elephantine mirth.
Public-domain text, read in full here on John Shaqi.
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