The Third Degree: A Narrative of Metropolitan LifeKlein, Charles
General
The Third Degree: A Narrative of Metropolitan Life
Klein, Charles
City and town life -- Fiction
A keeper now took charge of her and led her to a room where she was
searched by a matron for concealed weapons, a humiliating ordeal to
which even the richest and most influential visitors must submit with as
good grace as possible. The matron was a hard-looking woman of about
fifty years of age, in whom every spark of human pity and sympathy had
been killed during her many years of constant association with
criminals. The word "prison" had lost its meaning to her. She saw
nothing undesirable in jail life, but looked upon the Tombs rather as a
kind of boarding house in which people made short or long sojourns,
according to their luck. She treated Annie unceremoniously, yet not
unkindly.
"So you're the wife of Jeffries, whom they've got for murder, eh?" she
said, as she rapidly ran her hands through the visitor's clothing.
"Yes," faltered Annie, "but it's all a mistake, I assure you. My
husband's perfectly innocent. He wouldn't hurt a fly."
The woman grinned.
"They all say that, m'm." Lugubriously she added: "I hope you'll be more
lucky than some others were."
Annie felt herself grow cold. Was this a sinister prophecy? She
shuddered and, hastily taking a dollar from her purse, slipped it into
the matron's hand.
"May I go now?" she said.
"Yes, my dear; I guess you've got nothing dangerous on you. We have to
be very careful. I remember once when we had that Hoboken murderer here.
He's the feller that cut his wife's head off and stuffed the body in a
barrel. His mother came here to see him one day and what did I find
inside her stocking but an innocent-looking little round pill, and if
you please, it was nothing less than prussic acid. He would have
swallowed it and the electric chair would have been cheated. So you see
how careful we has to be."
Annie could not listen to any more. The horror of having Howard classed
with fiends of that description sickened her. To the keeper she said
quickly:
"Please take me to my husband."
Taking another dollar from her purse, she slipped the bill into the
man's hand, feeling that, here as everywhere else, one must pay for
privileges and courtesies. Her guide led the way and ushered her into an
elevator, which, at a signal, started slowly upwards.
The cells in the Tombs are arranged in rows in the form of an ellipse in
the centre of each of the six floors. There is room to accommodate nine
hundred prisoners of both sexes. The men are confined in the new prison;
the women, fewer in number, in what remains of the old building. Only
the centre of each floor being taken up with the rows of narrow cells,
there remains a broad corridor, running all the way round and flanked on
the right by high walls with small barred windows. An observer from the
street glancing up at the windows might conclude that they were those
of the cells in which prisoners were confined. As a matter of fact, the
cells have no windows, only a grating which looks directly out into the
circular corridor.
Public-domain text, read in full here on John Shaqi.
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