Detective and mystery stories; England -- Social life and customs -- 19th century -- Fiction; Murder -- Investigation -- Fiction
Tait nodded, and unrolled the papers, while Claude, filling himself
another glass of claret, crossed over to the sofa and lay down thereon.
With the glass of wine on the carpet beside him; with the untasted
luncheon on the table, he closed his eyes with a weary sigh, and
compelled himself to listen. Tait glanced sympathetically at him, then
without remark, though he was burning to speak, smoothed out the paper
and began to read slowly. The writing was clear and legible, the matter
interesting, so there was no difficulty in deciphering the story of the
tragedy, as narrated by the man, who, for twenty-two years, had been
supposed to be the victim. The confession (so-called) was in the form of
a letter from father to son:
"DEAR CLAUDE:
"At length I have made up my mind to reveal myself to you, and
to set out at length the circumstances which placed me in this
position. I am led to do so by three things. Firstly, your
presence in this neighborhood with the avowed intention of
avenging my death. Secondly, the publication of the novel
entitled 'A Whim of Fate,' which sets out the particulars of
what happened at Horriston in 1866, more or less perverted for
fictional purposes. Thirdly, the advice of Francis Hilliston, an
old and valued friend, who points out that the only way to stop
you in the investigation is to admit my identity, and so do away
with your motive, viz., the avenging of my death. On reading
this I leave it to yourself whether you will still consider me
your father, and visit me accordingly, or whether you will look
on me as a guilty man. Till you are acquainted with the truth,
so far as I am aware of it, I swear that I will not approach you
or open my mouth in your presence. On this understanding I set
forth the following facts as shortly as is consistent with
clearness. Judge me as you please, but I declare before God that
I am innocent of Jeringham's death, and that I know not who
killed him. This for the prologue; and now for the story.
Public-domain text, read in full here on John Shaqi.
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