The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
Almost as impressive as the Angel Choir was the stained glass work at
Lincoln. The rose windows are among the most beautiful ever made and
one of them is indeed considered a gem of its kind. The beautiful
colors and wonderful {109} effectiveness of the stained glass of these
old time Cathedrals cannot be appreciated unless the windows
themselves are actually seen. At Lincoln there is a very impressive
contrast that one can scarcely help calling to attention and that has
been very frequently the subject of comment by visitors. During the
Parliamentary time, unfortunately, the stained glass at Lincoln fell
under the ban of the Puritans. The lower windows were almost
completely destroyed by the soldiers of Cromwell's army. Only the rose
windows owing to their height were preserved from the destroyer. There
was an old sexton at the Cathedral, however, for whom the stained
glass had become as the apple of his eye. As boy and man he had lived
in its beautiful colors as they broke the light of the rising and the
setting sun and they were too precious to be neglected even when lying
upon the pavement of the Cathedral in fragments. He gathered the
shattered pieces into bags and hid them away in a dark corner of the
crypt, saving them at least from the desecration of being trampled to
dust.
Long afterwards, indeed almost in our own time, they were found here
and were seen to be so beautiful that regardless of the fact that they
could not be fitted together in anything like their former places,
they were pieced into windows and made to serve their original purpose
once more. It so happened that new stained glass windows for the
Cathedral of Lincoln were ordered during the Nineteenth Century. These
were made at an unfortunate time in stained glass making and are as
nearly absolutely unattractive, to say nothing worse, as it is
possible to make stained glass. The contrast with the antique windows,
fragmentary as they are, made up of the broken pieces of Thirteenth
Century glass is most striking. The old time colors are so rich that
when the sun shines directly on them they look like jewels. No one
pays the slightest attention, unless perhaps the doubtful compliment
of a smile be given, to the modern windows which were, however, very
costly and the best that could be obtained at that time.
Public-domain text, read in full here on John Shaqi.
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