The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
As to how much the cathedrals held of meaning for those who built them
and worshiped in them, only a careful study of the symbolism of the
time will enable the present-day admirer to understand. Modern
generations have lost most of their appreciation of the significance
of symbolism. The occupation of mind with the trivial things that are
usually read in our day, leaves little or no room for the study of the
profounder thought an artist may care to put into his work, and so the
modern artist tells his story as far as possible without any of this
deeper significance, since it would only be lost. In the Thirteenth
Century, however, everything artistic had a secondary meaning.
Literature was full of allegories, even the Arthur Legends were
considered to be the expression of the battle of a soul with worldly
influences as well as a poetic presentation of the story of the old
time British King. The Gothic Cathedrals were a mass of symbolism.
This will perhaps be best understood from the following explanation of
Cathedral symbolism, which we take from the translation of Durandus's
work on the meaning of the Divine Offices, a further account of which
will be found in the chapter on The Prose of the Century.
"Far away and long ere we can catch the first view of the city
itself, the three spires of its Cathedral, rising high above its din
and turmoil, preach to us of the Most High and Undivided Trinity. As
we approach, the Transepts, striking out crosswise, tell of the
Atonement. The Communion of Saints is set forth by the chapels
clustering around Choir and Nave: the mystical weathercock bids us
to watch and pray and endure hardness; the hideous forms that are
seen hurrying from the eaves speak the misery of those who are cast
out of the church; spire, pinnacle, and finial, the upward curl of
the sculptured foliage, the upward spring of the flying buttress,
the sharp rise of the window arch, the high thrown pitch of the
roof, all these, overpowering the horizontal tendency of string
course and parapet, teach us, that vanquishing earthly desires, we
also should ascend in heart and mind. Lessons of holy {118} wisdom
are written in the delicate tracery of the windows; the unity of
many members is shadowed forth by the multiplex arcade; the duty of
letting our light shine before men, by the pierced and flowered
parapet that crowns the whole.
Public-domain text, read in full here on John Shaqi.
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