The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
This is the best feature of the promises held out by the arts and
crafts movement, that men shall be interested in the work they do.
This may seem to some people an unrealizable idea and a poetic
aspiration rather than a possible actuality. A little study of what
was accomplished in this line during the Thirteenth Century, will
surely prove even to the most skeptical how much of success is capable
of being realized in this matter. The men who worked around the
Cathedrals were given opportunities to express themselves and the best
that was in them as no class of workmen before or since have ever had
the opportunity. Every single portion of the Cathedral was to be made
as beautiful as the mind of man could conceive, his taste could plan
and his hands could achieve. As a consequence the carpenter had the
chance to express himself in the woodwork, the village blacksmith the
opportunity to display his skill in such small ironwork as the hinges
or the latch for the door and every workman felt called upon to do the
best that was in him.
It is easy to understand under these circumstances with what interest
the men must have applied themselves to their tasks. They were, as a
rule, the designers as well as the executors of the work assigned
them. They planned and executed in the rough and tried, then modified
and adapted, until finally as we know of most of the Cathedrals, their
finished product was as nearly perfect in most particulars as it is
ordinarily given to man to achieve. Their aim above all was to make
such a combination of utility with beauty of line yet simplicity of
finish, as would make their work worthy counterparts of all the other
portions of the Cathedral. The sense of competition must have stirred
men to the very depths of their souls and yet it was not the heartless
rivalry that crushes when it succeeds, but the inspiring emulation
that makes one do as well as or better than others, though not
necessarily in such a way as to {126} belittle others' efforts by
contrast or humble them by triumph.
{opp126}
[Illustration]
FOUNTAIN (PERUGIA) [TOWN PUMP]
[Illustration]
LAVATOIO (TODI) [PUBLIC WASH-HOUSE]
Public-domain text, read in full here on John Shaqi.
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