The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
Neale says of Thomas Aquinas' great hymn the Pange Lingua: "This hymn
contests the second place among those of the Western Church, with the
'Vexilla Regis,' the 'Stabat Mater,' the 'Jesu Dulcis Memoria,' the
'Ad Regias Agni Dapes,' the 'Ad Supernam,' and one or two others,
leaving the 'Dies Irae' in its unapproachable glory," thus furnishing
another supreme testimony to the hymn we have been discussing, which
indeed only needs to be read to be appreciated, since it will
inevitably tempt to successive readings and these bring with them ever
and ever increasing admiration, showing in this more than in any other
way that it is a work of sublime genius.
With regard to rhyme particularly the triumph of art and the influence
of the Latin hymns is undoubted. This latest beauty of poetry reached
its perfection of expression in the Latin hymns. It is rather curious
to trace its gradual development. It constitutes the only feature of
literature which apparently did not come to us from the East. The
earlier specimens of poetry of which we know anything among the
Oriental nations other than the Hebrews, are beautiful examples of the
possibilities of rhythm and the beginnings of meter. As poetry goes
westward meter becomes as important as rhythm in poetry and these two
qualities differentiated it from prose. Both of these literary modes,
however, are eastern in origin. Rhyme comes from the distant West and
seems to have originated in the alliteration invented by the Celtic
bards. The vowel assonance was after a time completed by the addition
of consonantal assonance and then the invention of rhyme was
completed. The first fully rhymed hymns seem to have been written by
the {200} Irish monks and carried over to the Continent by them on
their Christianizing expeditions, after the irruption of the
barbarians had obliterated the civilization of Europe. During the
Tenth and Eleventh centuries rhyme developed mainly in connection with
ecclesiastical poetry. During the Twelfth and Thirteenth centuries it
reached an acme of evolution which has never been surpassed during all
the succeeding generations.
Public-domain text, read in full here on John Shaqi.
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