The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
One of the most important works of Thirteenth Century prose is the
well-known Rationale Divinorum Officiorum (Significance of the Divine
Offices) written by William Durandus, the Bishop of Mende, in France,
whose tomb and its inscription in the handsome old Gothic Cathedral of
Santa Maria Sopra Minerva, in Rome, shares with the body of St.
Catherine of Sienna the honor of attracting so many visitors. The book
has been translated into English under the title. The Symbolism of
Churches and Church Ornaments, and has been very widely read. It was
very popular in the Thirteenth Century, and the best possible idea of
its subsequent reputation can be gathered from the fact, that the
Rationale was the first work from the pen of an uninspired writer to
be accorded the privilege of being printed. The Editio Princeps, a
real first edition of supreme value, appeared from the press of John
Fust in 1459. The only other books that had been printed at that time
were the Psalters of 1457 and 1459. This edition is, of course, of the
most extreme rarity. According to the English translators of Durandus
the beauty of the typography has seldom been exceeded.
The style of Durandus has been praised very much by the critics of
succeeding centuries for its straightforwardness, simplicity and
brevity. Most of these qualities it evidently owes to the hours spent
by its author in the reading of Holy Scriptures. Durandus fashioned
his style so much on the sacred writings that most of his book
possesses something of the impressive character of the Bible itself.
The impression derived from it is that of reading a book on a
religious subject written {235} in an eminently suitable tone and
spirit. Most of this impression must be attributed without doubt to
the fact, that Durandus has not only formed his style on the
Scriptures, but has actually incorporated Scriptural expressions in
his writings to such an extent as to make them mostly a scriptural
composition. This, far from being a fault, appears quite appropriate
in his book because of its subject and the method of treatment. A
quotation from the proeme (as it is in the quaint spelling of the
English translation) will give the best idea of this.
Public-domain text, read in full here on John Shaqi.
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