The Thirteenth, Greatest of CenturiesWalsh, James J. (James Joseph)
History
The Thirteenth, Greatest of Centuries
Walsh, James J. (James Joseph)
Civilization, Medieval -- 13th century; Universities and colleges -- History
It might perhaps be thought that these mystery plays would not furnish
any great amount of entertainment for the populace, especially after
they had seen them a certain number of times. The yearly repetition
might naturally be expected to bring with it before long a satiety
that would lead to inattention. As is well known, however, there is an
enduring interest about these old religious stories that makes them of
much greater attractiveness than most ordinary historical traditions.
Many a faithful reader of the Bible finds constantly renewed interest
in the old Biblical stories in spite of frequent repetition. Their
significance to the eye of faith in the Middle Ages gave them, beyond
any doubt, that quality which in any literary work will exemplify and
fulfill Horace's dictum, _decies repetita placebit_. Besides, it must
not be forgotten that the men and women of the Thirteenth Century had
not the superficial facilities of the printing press to cloy their
intellectual curiosity, and by trivial titillation make them
constantly crave novelty.
It must not be thought, in spite of the fact that these were religious
plays, that they were always so serious as to be merely instructive
without being amusing. A large fund of amusement was injected into the
old biblical stories by the {242} writers of the different cycles and
undoubtedly the actors themselves added certain personal elements in
this matter, which still further enhanced some of the comical aspects
of the solemn stories. Nearly always the incidents of the Scriptural
narrative though followed more or less literally, were treated with a
large humanity that could scarcely fail to introduce elements of humor
into the dramatic performances. Such liberties, however, were taken
only with characters not mentioned by the Bible--the inventions of the
writers. A series of quotations from the Chester Cycle of Plays will
best illustrate this. We give them in the quaint spelling of the
oldest version extant. The scene we quote is from the play dealing
with Noah's flood and pictures Noah's wife as a veritable shrew.
NOYE--
Wyffe, in this vessel we shall be kepte:
My children and thou, I woulde in ye lepte.
Noye's Wiffe--
In fayth, Noye, I hade as leffe thou slepte!
For all thy frynishe fare,
I will not doe after thy reade.
Noye--
Good wyffe, doe nowe as I thee bydde.
Noye's Wiffe--
Be Christe! not or I see more neede,
Though thou stande all the daye and stare.
Noye--
Lorde, that wemen be crabbed aye,
And non are meke, I dare well saye.
This is well seene by me to daye,
In witnesse of you ichone (each one).
Goodwiffe, lett be all this beare,
That thou maiste in this place heare;
For all the wene that thou arte maister,
And so thou arte, by Sante John!
All Noah's artful concession of his wife's mastery in the household
does not avail to move her and so he tries objurgation.
Public-domain text, read in full here on John Shaqi.
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