With the stigma of supposed imprudence or foolhardiness for having gone on the Crusade turned into a new cause for honor, Louis must be considered as probably the greatest monarch who ever occupied an important throne. Instead of being surprised that such a monarch should have come in the heart of the Middle Ages and during a century so distant as the Thirteenth, readers must now be ready to appreciate to some degree at least the fact, that his environment instead of being a hindrance in any sense of the word to the development of Louis' greatness, should rather be considered as one of the principal sources of it. Louis' character was representative of the men of that time and exhibits in their most striking form the qualities that were set up as ideals in that period. If the century had produced nothing else but Louis, it would have to be considered as a great epoch in history, for he was no mere accident but typically a son of his age. If this is but properly appreciated the true significance not only of Louis' life but the period in which he lived will be better understood than would be possible by any other means. Those who want to know the men of this wonderful century as they actually were should study Louis' life in detail, for we have been only able to hint at its most striking characteristics. {opp300} [Illustration] DECORATION (QUEEN MARY'S PSALTER, XIII. CENTURY MS.) {300} XIX DANTE THE POET. It is only too often the custom to talk of Dante as a solitary phenomenon in his time. Even Carlyle who knew well and properly appreciated many things in medieval life and letters and especially in the literary productions of the Thirteenth Century said, that in Dante "ten silent centuries found a voice." Anyone who has followed what we have had to say with regard to the Thirteenth Century will no longer think of Dante as standing alone, but will readily appreciate that he is only the fitting culmination of a great literary era. After having gone over even as hurriedly as has been necessary in our brief space, what was accomplished in every country of Europe in literature that was destined to live not only because of the greatness of the thoughts, but also for the ultimateness of its expression, we should expect some surpassing literary genius at the end of the period. It seems almost inevitable indeed that a supreme poet, whose name stands above all others but one or two at the most in the whole history of the race, should have lived in the Thirteenth Century, and should have summed up effectually in himself all the greatness of the century and enshrined its thoughts in undying verse for all future generations. {opp300} [Illustration] PORTRAIT OF DANTE (GIOTTO, IN THE BARGELLO, FLORENCE)