Husband and wife -- Fiction; Man-woman relationships -- Fiction
"And you’re sure of your own Lohengrin?"
She answered with a laughing air of challenge:
"Perfectly. Whenever I give the right call I know he’ll be on the way."
But this optimism didn’t weigh with me. Knowing all I did of love and
life, the simple performance of simple tasks began to seem to me the
most satisfying food for men. From nearly all of those whom I have
quoted I made the synthetic gleaning of bees in a garden of flowers,
building my own little cell for my soul and storing it.
I needed such a cell. As May passed and June came in there was much in
the trend of public life to make those, who had yearned and hoped and
looked forward, cynical. The splendid spiritual freedom for which
people had given their efforts and their sons was plainly not to be
achieved. If the human race had moved higher it was not directly
apparent at Versailles or anywhere else in the world; while in America,
the home of the ideal, the land in which so many of the heart-stirring
watchwords had been coined, passion, selfishness, distortion, extortion,
and contortion were the chief signs of the new times. North of us
Canada, hitherto so tranquilly industrious, was threatened with internal
convulsion; south of us Mexico, which some of us had hoped was pacified,
was prey to new distress. For me, to keep my sanity amid all this
conflict of forces, a little secret temple of my own became a necessity,
and to it I retired.
It wasn’t much. Having built my shrine with what I had harvested from
Drinkwater, Lydia, Mildred Averill, and the rest, I hid myself there
with some half-dozen disciples. They were Bridget’s boy, the Finn’s two
sons, and three or four of their chums whom they had brought in. Not
only did their young affection give me something I sorely needed in my
inner life, but I had the hope that, building on them, I was doing
something for the future. Grown men and women were beyond my endeavors.
These fresh souls, with their nearness to God, understood my faltering
speech, which fell so far short of the ideas I was trying to interpret.
They were simple ideas, connected with practical beauty. That is, with
the Museum as what we called our clubhouse, all man’s treasures of
material creative art were ours. These we were taking in their order,
beginning with my own specialty of all things woven, from the crudest
specimens of ancient linens up to the splendors of the tapestries, and
going on to kindred and allied crafts. Not only art was involved in
this, but history, biography, travel, romance, and everything else that
adds drama to human accomplishment. To me, with the big void in my
life, it was the most nearly satisfying thing I knew to reveal to these
eager little minds something of the wonders with which the world was
full; to them, with their ugly homes, cramped outlooks, and misshapen
hopes, it was, I fancy, much what the marvels of the next world will be
to those accustomed to the dwarfed conceptions of this.
Public-domain text, read in full here on John Shaqi.
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