The Threatening EyeKnight, E. F. (Edward Frederick)
General
The Threatening Eye
Knight, E. F. (Edward Frederick)
Fiction
But he had clasped that slight, girlish form in his arms--he had kissed
that unkissed mouth, and drawn madness from it--he was the slave of his
passion for better or for worse.
Even when he thought more calmly over the whole matter on the following
day, he still knew that his love for the girl was altogether his master.
He still determined to press his suit.
Even were she really bad, he must risk all, and make her his. But he
knew that she was not really bad in heart, though she might have been in
action. He would gain her confidence, share with her her repentance for
her sin, take on himself her burden. Even had she been the most
abandoned of creatures, he would take her to his arms now. Go back he
could not--would not.
And yet, of all men this was the one whom none would have suspected
capable of making a rash marriage. Ah! how little we know how we
ourselves would behave when the moment comes! We are all of us mad and
weak then--yes, every one of us.
CHAPTER XI.
A WRECK.
A week or so after the events related in the last chapter.
It is about the hour when the theatres close, and the scene is the
interior of the Albion--the well-known tavern near Old Drury, where
actors and others of the male sex are wont to sup, after the play and
opera are over.
At a table is a man sitting by himself, moodily drinking whisky--which
he takes with very little water--and smoking cigar after cigar.
At a glance, you can see that he is a wreck--a gentleman who has become
the slave of alcohol. His hand shakes, his eye is fierce and restless,
and his three days' beard and unbrushed clothes show that carelessness
of appearance which are the early signs of a man's going to the dogs
through drink. The recklessness of a man who has lost his self-respect
is apparent in his every gesture.
This is Tommy Hudson, but terribly changed. He is not beautiful and
refined of features now, but coarse, bloated, spirit-sodden. Not now are
the bright, merry eyes, the hopeful buoyancy of manner; but, in their
place, sullenness, or the sneers and flippancy born of a gnawing
consciousness of degradation and failure.
This man had known a lofty ideal--so was his fall the greater.
The life of the young London barrister is perhaps the most perilous of
all for weak natures such as his. Hundreds of promising young lives have
fallen victims to its strong temptations. Living in solitary chambers,
waiting for work that never comes, desponding at his want of success,
the young man is driven out night after night into dissipation--first,
by desire of society; lastly, by a morbid restlessness that makes
dissipation a necessity.
Public-domain text, read in full here on John Shaqi.
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