The Three Black Pennys: A NovelHergesheimer, Joseph
General
The Three Black Pennys: A Novel
Hergesheimer, Joseph
Family -- Fiction; Pennsylvania -- Fiction; Steel industry and trade -- Fiction
His excitement faded before the exigencies of the unavoidable situation;
he became cold, logical, legal. Jasper Penny listened, standing, to his
instructions, the exact forecasting of every move probable at the
hearing in the Mayor's chamber. "After that," Stephen added, "we can
face the problem of Susan's future. She thinks tremendously of her
school. It will fall to pieces in her hands. There can be no question of
material assistance; refused her own brother.
"Now, understand--stay in these rooms until I send for you. See no one.
I'll get on, go to Susan. The thing itself should be short; her
character will assist you there. What a mess you have made of living,
Jasper."
XX
In the silence of the sitting room Jasper Penny heard diverse and yet
mingled inner voices: Essie's younger, exuberant periods, her joy at
presents of gold and jewelled trifles; changing, rising shrilly, to her
last imploring sobs, her frantic embrace of the man that, beyond any
doubt, she had herself killed. Running through this were the strains of
a quadrille, the light sliding of dancing feet, and the sound of a low,
diffident voice, Susan Brundon at the Jannans' ball. The voice
continued, in a different surrounding, and woven about it was the thin
complaint of a child, of Eunice, taken against her will from the
Academy. These three, Essie and Susan and Eunice, combined, now one
rising above the other, yet inexplicably, always, the same. Back of them
were other, less poignant, echoes, flashes of place, impressions of
associated heat or cold, darkness or light:
He saw the features of Howat Penny, in the canvas by Gustavus Hesselius,
regarding him out of a lost youth; he recalled, and again experienced,
the sense of Howat's nearness; integral with himself; merging into his
own youth, no less surely lost, yet enduring. His mother joined the
immaterial company, accents, rigid with pride in him. And penetrating,
binding, all was the dull beat of the trip hammer at Myrtle Forge. He
had mechanically finished dressing, and stood absently twisting the
drapery at a window. A fine tracery of lines had suddenly appeared about
his eyes; the cold rays of the winter sun, streaming over his erect
figure, accentuated the patches of grey plentiful in his hair.
Public-domain text, read in full here on John Shaqi.
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