Here was a sphere, vastly larger than his own, to the habits and prejudices of which he was complete stranger. It was as James Polder had said--as if one or the other spoke Patagonian. He had no wish to acquire the language about him; a positive antagonism to his surrounding possessed him, beyond reason. He thought--how different Mariana is from all this, and was annoyed again at her serious bearing. Then he was surprised by his presence there at all; confound the girl, why didn't she play with her own kind! Yet only the other day the glimpse she had given him of her natural associates had filled him with dread. His mind, striving to encompass the problem of Mariana's existence, failed to overcome the walls built about him by time, by habit. He gave it up. The louder pealing of the organ announced immediate developments. There was a stir in the front of the church, a clergyman in white vestment advanced; and, at a sudden murmurous interest, a twisting of heads, the wedding procession moved slowly up the aisle. The ushers, painstakingly adopting various lengths of stride to the requirements of the organ, passed in pairs; then followed an equal number of young women, among whom he instantly recognized the handsome presence of Kate Polder, in drooping blue bonnets, with prodigious panniers of celestial-hued silk, carrying white enamelled shepherd's crooks from which depended loops of artificial buttercups. An open space ensued, in the centre of which advanced a child with starched white skirts springing out in a lacy wheel about spare, bare knees, her pale yellow hair tied in an overwhelming blue bow; and holding outstretched, in a species of intense and quivering agony, a white velvet cushion to which were pinned two gold wedding bands. After that, Howat Penny thought, the prospective bride could furnish only the diminished spectacle of an anti-climax. Led by the virginal presence of Isabella Polder she floated forward in a foam of white tulle and dragging satin attached below her bare, full shoulders. A floating veil, pinned with a wreath of orange blossoms, manifestly wax, covered the metallic gold of her hair. Her countenance was unperturbed, statuesque, and pink. As the sentimental clamour of the organ died the steam pipes took up, with renewed vigour, their utilitarian noise. "Why don't they turn them off?" Mariana exclaimed in his ear. Personally he enjoyed such an accompaniment to what he designated as the performance. He cast the participants in their inevitable roles--the bride as prima donna, James Polder the heroic tenor. Mrs. Corinne de Barry, a thin, concerned figure in glistening lavender, supported a lamenting mezzo, the bulky, masculine figure at her side, with an imposing diamond on a hand like two bricks, was beautifully basso--