"You know he won't," she replied sharply. "He loves me; and I love him, Howat. I never knew how much, or how little anything else mattered, until I was in my room, after his wedding. It wasn't a wedding, really," she declared. "All that doesn't make one. He'll find it out, too. Jimmy will be desperate, and I'm afraid he will drink harder. He told me they were getting frightfully strict about that at the Works. And there's that reorganization; it will embitter him if he isn't made superintendent. He has worked splendidly for it. That woman he--he went off with is a squash," she said vindictively. "She will be in bed when he goes away in the morning, and in crepe de Chine negligee when he gets back. Perhaps it won't last," she added thoughtfully. The sense of future security generated in Howat Penny by the marriage abruptly departed. He fumbled with his glass, directed it at Mariana. "What do you mean by that?" he demanded. "I would go to him like a shot, if he needed me," she coolly returned. The dreadful part of it was that he was sure she would. "Nonsense," he asserted, hiding his concern; "there will be no fence climbing." All this came from the letting down of conversational bars, the confounded books he found about on tables. Words, like everything else, had lost their meanings. In his day a bad woman was bad, a good, likewise, good; but the Lord couldn't tell them apart now. It was the dancing, too. Might as well be married to a man, he thought. Mariana was haggard, the paint on her face crudely--paint. He saw that there were tears in her eyes, and he turned away confused, rose. The slot in his cigarette box refused to open, and he shook it violently, then put it back with a clatter. "Tell Rudolph you're here," he said disjointedly; and, miserable, left the room. Dressing he stood at a window; the west held a narrow strip of crimson light under a windy mass of cloud. The ruin of Shadrach Furnace was sombre. Within, the room was almost bare. There was a large, high-posted bed without drapings, a vermilion lacquered table, dark with age, supporting a glass lamp at its side; a set of drawers with old brass handles; a pair of stiff Adam chairs with wheel backs; and a modern mahogany dressing case, variously and conveniently divided, a clear mirror in the door.