The Three Black Pennys: A NovelHergesheimer, Joseph
General
The Three Black Pennys: A Novel
Hergesheimer, Joseph
Family -- Fiction; Pennsylvania -- Fiction; Steel industry and trade -- Fiction
The countryside, it appeared to Howat Penny, flamed with autumn and
faded in a day. Throughout the night he heard the crisp sliding of dead
leaves over the roof, the lash of the wind swung impotently about the
rectangular, stone block of his dwelling. At the closing of shutters the
December gales only penetrated to him in a thin, distant complaint. The
burning hickory curtained the middle room with a ruddy warmth. It was a
period of extreme peace; he slept for long hours in a deep chair, or sat
lost in a simulation of sleep, living again in the past. The present was
increasingly immaterial, unimportant; old controversies occupied him,
long since stilled; and among the memories of opera, of Eames as a
splendid girl, forgotten roles, were other, vaguer associations,
impressions which seemed to linger from actual happenings, but
persistently evaded definition. At times, his eyes closed, the glow of
his fireplace burned hotter, more lurid, and was filled with faintly
clamorous sounds; at times there was, woven through his half-wakeful
dreaming, a monotonous beat ... such as the fall of a hammer. He saw,
too, strange and yet familiar faces--a girl in silk like an extravagant
tea rose; a countenance seamed and glistening with pain floated in
shadow; and then another mocked and mocked him. Once he heard the
drumming of rain, close above; and the illusion was so strong that he
made his way to the door; a black void was glistening with cold and
relentless stars.... Now he was standing by a dark, hurrying river,
nothing else was visible; and yet he was thrilled by a sense of utter
rapture.
He developed a feeling of the impermanence of life, his hold upon it no
stronger than the tenuous cord of a balloon straining impatiently in
great, unknown currents. The future lost all significance, reality;
there were only memories; the vista behind was long and clear, but the
door to to-morrow was shut. Looking into his mirror the reflection was
far removed; it was hollow-cheeked and silvered, unfamiliar. He half
expected to see a different face, not less lean, but more arrogant, with
a sharply defined chin. The actual, blurred visage accorded ill with his
trains of thought; it was out of place among the troops of gala youth.
A wired letter, a customary present of cigarettes, came from Mariana on
Christmas, gifts from Charlotte and Bundy Provost. There was champagne
at his place for dinner; and he sealed crisp money in envelopes
inscribed Rudolph, Honduras, and the names of the cook and maid. He
drank the wine solemnly; the visions were gone; and he saw himself as an
old man lingering out of his time, alone. There was, however, little
sentimental melancholy in the realization; he held an upright pride, the
inextinguishable accent of a black Penny. His disdain for the
commonality of life still dictated his prejudices. He informed Rudolph
again that the present opera was without song; and again Rudolph gravely
echoed the faith that melody was the heart of music.
Public-domain text, read in full here on John Shaqi.
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