The Three BridesYonge, Charlotte M. (Charlotte Mary)
General
The Three Brides
Yonge, Charlotte M. (Charlotte Mary)
England -- Social life and customs -- 19th century -- Fiction; Marriage -- Fiction
"And did not let me pick you up! Did you hide yourself?"
"It was much warmer to walk."
"So you seem to have found it, to judge by your cheeks," said Lady
Tyrrell.
And Mr. Strangeways and one or two others could not restrain a
murmured exclamation on the exceeding loveliness of that deepened
colour and brightened eye; but Lenore only knew that an equally
bright and keen eye was watching her heedfully, and knew that she
was suspected, if not read through and through.
She mingled in the discussion of the skating, with those outward
society-senses that she learnt to put on, and escaped as soon as
possible to her own room.
Again she almost fell on the ground in her own little oratory
chamber, in a tumult of gladness that was almost agony, and fear
that was almost joy.
She wanted to give thanks that Frank had become so wholly and
avowedly hers, and for that deep intense affection that had gone on,
unfed, uncherished, for years; but the overflow of delight was
checked with foreboding--there was the instinctive terror of a
basilisk eye gazing into her paradise of joy--the thanksgiving ran
into a half-despairing deprecation.
And she knew that Frank was under Camilla's spell, and admired and
trusted her still; nor had she been able to utter a word of caution
to undeceive him. Should she have the power on the morrow? Camilla
really loved skating, and surrounded as she was sure to be, there
was hope of escaping her vigilant eye once more. To-morrow there
would be another meeting with Frank! perhaps another walk with him!
That anticipation was soothing enough to bring back the power of
joyful gratitude, and therewith of hopeful prayer.
CHAPTER XV
Plot and Counterplot
A lady a party of pleasure made,
And she planned her scheme full well,
And day and night the party filled
The head of the demoiselle.--FABER
Though Frank had no reason to expect that the tidings of his success
would be hailed with much satisfaction at home, yet his habit of
turning to his mother for sympathy would have been too much for his
prudence, but for the fact that Terry De Lancey had dragged into her
room a massive volume of prints from the Uffizi Gallery, and was
looking it over with her, with a zest she had not seen since the
days when her father gloried in his collection.
Public-domain text, read in full here on John Shaqi.
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