By way of internal evidence then, we have first the sensational discovery of a work, _Gleanings in Craven, or The Tourists' Guide_, by "one Frederic Montagu", published at Skipton-in-Craven in 1838, which work the author of _Wuthering Heights_ and _Jane Eyre_ must have read and drawn upon for many things, names (including her own pseudonym of Currer Bell), descriptions of scenery, local legends, as of that fairy Jannet, Queen of the Malhamdale Elves, who haunted the sources of the Aire and suggested Rochester's Queen of Elves, his fairy, Janet Eyre. Parallel passages are given showing a certain correspondence between Montagu's traveller's tale and the opening scene of _Wuthering Heights_. Montagu goes on horseback to a solitary house, like Lockwood, and, like Lockwood, is shown to bed, dreams, and is awakened by a white-faced apparition (his hostess, not his host), who holds a lighted candle, like Heathcliff, and whose features, like Heathcliff's, are convulsed with diabolical rage, and so on. Mr. Malham-Dembleby, in a third parallel column, uses the same phrases to describe Jane Eyre's arrival at Rochester's house, her dreams, and the appearance of Rochester's mad wife at her bedside; his contention being that the two scenes are written by the same hand. All this is very curious and interesting; so far, however, Mr. Malham-Dembleby's sensational evidence does no more for us than suggest that Charlotte and Emily may very likely have read Montagu's book. But the plot thickens. Mr. Malham-Dembleby first prints parallel passages from Montagu's book and _Wuthering Heights_ and _Jane Eyre_, then, extensively, scene after scene from _Jane Eyre_ and _Wuthering Heights_.