Authors, English -- 19th century -- Biography; Brontë family
And yet it is true that _Villette_ is a novel of experience, owing its
conspicuous qualities very much to observation. After all, a
contemporary novel cannot be made altogether out of the fire of the
great writer's soul. It is because Charlotte Brontë relied too much on
the fire of her own soul that in _Jane Eyre_ and parts of _Shirley_ she
missed that unique expression of actuality which, over and over again,
she accomplished in _Villette_. For the expression of a social _milieu_,
for manners, for the dialogue of ordinary use, for the whole detail of
the speech characteristic of an individual and a type, for the right
accent and pitch, for all the vanishing shades and aspects of the
temporary and the particular, the greatest and the fieriest writer is at
the mercy of observation and experience. It was her final mastery of
these things that made it possible to praise Charlotte Brontë's powers
of observation at the expense of her genius; and this mainly because of
M. Paul.
No offspring of genius was ever more alive, more rich in individuality,
than M. Paul. He is alive and he is adorable, in his _paletot_ and
_bonnet grec_, from the moment when he drags Lucy up three pairs of
stairs to the solitary and lofty attic and locks her in, to that other
moment when he brings her to the little house that he has prepared for
her. Whenever he appears there is pure radiant comedy, and pathos as
pure. It is in this utter purity, this transparent simplicity, that
_Villette_ is great. There is not one jarring note in any of the
delicious dialogues between Lucy and M. Paul, not one of those passages
which must be erased if quotation is not to fail of its effect. Take the
scene where Lucy breaks M. Paul's spectacles.
"A score of times ere now I had seen them fall and receive no
damage--this time, as Lucy Snowe's hapless luck would have it, they so
fell that each clear pebble became a shivered and shapeless star.
"Now, indeed, dismay seized me--dismay and regret. I knew the value of
these _lunettes_: M. Paul's sight was peculiar, not easily fitted, and
these glasses suited him. I had heard him call them his treasures: as I
picked them up, cracked and worthless, my hand trembled. Frightened
through all my nerves I was to see the mischief I had done, but I think
I was even more sorry than afraid. For some seconds I dared not look the
bereaved Professor in the face; he was the first to speak.
"'_Là_!' he said: '_me voilà veuf de mes lunettes_! I think that
Mademoiselle Lucy will now confess that the cord and gallows are amply
earned; she trembles in anticipation of her doom. Ah, traitress,
traitress! You are resolved to have me quite blind and helpless in your
hands!'
Public-domain text, read in full here on John Shaqi.
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