The Three Brothers; CompleteOliphant, Mrs. (Margaret)
General
The Three Brothers; Complete
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
morose art which demands to a certain extent seclusion and silence; but
art is friendly, gregarious, talkative. The padrona began to talk to him
immediately, though she did not turn her head.
‘I am so glad to see you,’ she said; ‘at least I shall be glad to see
you whenever I have finished this arm. It has worried me all day, and if
I don’t do it at once it will slip out of my mind again. I wish one
could paint without drawing; it is hard upon an uneducated person; and I
am sure if it was not for those horrid critics, the British public does
not care if one’s arm is out of drawing or not.’
‘Welby does not think so,’ said Laurie. ‘Have you seen his tibia that he
is raving about?’
‘Ah, but then that wounds his own eye,’ said Mrs. Severn, half turning
round; ‘just as a false note in music wounds my child, though it does
not disturb me much. The dreadful thing is not to know when you’re out
of drawing or out of tune. One feels something is wrong, but one is not
clever enough to see what it is.’
‘I don’t think you are often out of tune, padrona nostra, or out of
drawing either,’ said poor Laurie, with a sigh.
‘Dear, dear!’ said Mrs. Severn, ‘what does this mean I wonder--that our
friend is out of tune himself?’
‘Dreadfully out of tune,’ said Laurie, ‘all ajar and not knowing what
to do with myself, and come to you to set me right.’
Then there was a pause of a minute or two, and the painter turned from
her easel and put down her palette with a sigh of relief. ‘That’s over
for to-day at least,’ she said, and came and held out her hand to her
visitor. ‘I saw it in the papers,’ she said, ‘but I would not say
anything till I could give you my hand and look you in the face. Was it
sudden? We have all to bear it one way or other; but it’s very hard all
the same, and especially the first blow.’
It was the first time since the reading of the will that anybody had
sympathised honestly with one of Mr. Renton’s sons for their father’s
death; and, near as that event was, the voice of natural pity startled
Laurie back to natural feeling. The twilight, too, which hid the tears
that rushed to his eyes, and the soft, kind clasp of the hand which had
come into his, and the voice full of all sympathies, united to move him.
A sudden ache for his loss, for the father who had been so good to him,
struck, with all its first freshness, into the mind where dwelt so many
harder thoughts. When Mrs. Severn sat down, and bade him tell her about
it, the young man went back to the sudden death-bed, and was softened,
touched, and mollified in spite of himself; his voice trembled when he
told her those wanderings of the dying man,--as everybody thought
them,--and of his affectionate confidence that ‘Laurie would not mind.’
‘I see there is something more coming,’ said the padrona, with that
insight in which he had trusted; ‘but whatever it is I am sure he was
right, and Laurie will not be the one to mind.’
Public-domain text, read in full here on John Shaqi.
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