The Three Brothers; CompleteOliphant, Mrs. (Margaret)
General
The Three Brothers; Complete
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
‘I thought we were born to labour in the sweat of our brow!’ said Miss
Hadley, who was a little strong-minded, and had her doubts about
Genesis.
‘Not born,’ said the padrona, with a soft laugh; ‘only after Eden, you
know; and there are some people who have never come out of Eden; for
instance, my child.’
‘Ah, Alice!’ Miss Hadley answered, with a little wave of her head, as if
Alice was understood to be exceptional, and exempted from ordinary rule.
‘Fancy the child having to work as I do!’ said Mrs. Severn. ‘Fancy her
being trained to my profession, as some people tell me I should do. I
think it would be nothing less than profane.’
‘My dear, you know I think all girls should know how to work at
something,’ said the governess, ‘when they have no fortunes; and you
will never save money. You couldn’t, if your pictures were to sell twice
as well; and though you are young and strong, still----’
‘I might die,’ said the padrona. ‘I often think of it. It is a frightful
thought when one looks at these little things; but I have made up my
mind for a long time that it is best never to think. One can’t live more
than a day at a time, were one to try ever so much; and there is always
God at hand to take care or the rest.’
‘But generally, so far as I know,’ said Miss Hadley, ‘God gives the
harvest only when the farmer has sown the seed.’
‘Which means I am to bring up my child to do something,’ said Mrs.
Severn. ‘And so she does,--a hundred things,--now, doesn’t she?--and
makes the whole house go to music. I can’t train Alice to a trade. If
necessity comes upon her, some work or other will drop into her hands. I
was never trained to it myself,’ the padrona added, with a
half-conscious smile about the corners of her mouth, and perhaps just a
touch of innocent complacency in her own success, ‘and yet I get on,--as
well as most.’
‘Better than most, my dear; better than most,’ the governess said, with
a little enthusiasm. ‘But you know how much you have been worried about
your drawing, and how sensitive you are to what those wretched men say
in the “Sword.” Do you think I don’t notice? You take it quite sweetly
when they talk about the colour, or texture, or the rest of their
jargon; but you flush up the moment they mention your drawing. Now, if
you had been trained to it, don’t you see, as a girl----’
The padrona grew very red as her friend spoke. It was clear that the
criticism touched even when thus put, and Laurie, in the background,
felt an overwhelming inclination to wring the neck of the strong-minded
woman. But then she laughed very softly, with a certain sound of emotion
that might have brought tears just as well.
Public-domain text, read in full here on John Shaqi.
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