The Three Brothers; CompleteOliphant, Mrs. (Margaret)
General
The Three Brothers; Complete
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
‘When I was like him I lived on nothing,’ said the R.A.; ‘but young men
now-a-days must have their clubs and their luxuries. Why, what education
has he had that he should begin to paint pictures? A few lines scratched
on a bit of paper, or dabs of paint on a canvas do well enough for an
amateur; but, good heavens, a painter! You don’t see it, ma’am; you
don’t see it! Women never do. You think it’s all genius, and nonsense.
You will tell me it’s genius that makes a Michael Angelo, I suppose;
but, I tell you, it’s hard work.’
‘I do see it,’ said the padrona. ‘Sit down, please, and don’t be angry
with me. I see it very well; but I can’t help laughing all the same. It
is Laurie’s way. He will never be a Michael Angelo. It is so like him to
go and set up a great picture to surprise us. One of these days, if you
take no notice, he will come like Innocence itself, and invite us to go
and look at it. I was afraid something was wrong with him; but this
quite explains why he stayed away.’
‘And that is all a woman cares for!’ said Mr. Welby. ‘The boy’s quite
well, and his absence accounted for; and what does it matter if he makes
an ass of himself?’ Here the painter rose, and made a little _giro_
round the room, pausing at the easel with a certain vindictiveness. ‘I
wouldn’t give much for that baby’s chances of life,’ he said. ‘The
creature will be a cripple if it grows up. It has no joints to its legs;
and that little girl’s got her shoulder out. There’s where the elbow
should come,’ he went on, making an imaginary line in the air. It was
the same picture he had made a pretty speech about when he came into the
room, from which it may be perceived that Mrs. Severn’s terror of her
lodger’s visit was not without cause.
‘I shall be so glad if you tell me what you see wrong,’ the padrona
said, with, I fear, more submission than she felt.
‘Wrong, ma’am,--it’s all wrong!’ cried the R.A.; ‘there’s not a line
that could not be mended, nor a limb that is quite in its right
place;--but I couldn’t paint such a picture for my life,’ Mr. Welby
continued, with a sudden melting in his voice; ‘nor anybody else but
yourself. The body’s out of drawing, but the soul’s divine.
Light!--nonsense,--the light’s all as it ought to be; the light’s in
that woman’s face. I don’t know how to better it. But this is not what
we were talking of,’ he continued, suddenly turning his back on the
picture. ‘We were talking of Laurie Renton. What is to be done about
this ridiculous boy?’
Public-domain text, read in full here on John Shaqi.
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