I will not enter into the visit to Richmont, which belongs to another portion of this history and had nothing to do, so to speak, with Laurie’s life. He got it over, and he got over those three days, but from Wednesday to Saturday he never entered the house at which he had hitherto been a daily visitor. He could not go now while she was surrounded with people, and talk ordinary talk to her as if she was anybody else. When he saw her, he must see her alone; and accordingly Laurie denied himself, and passed by her door, and saw others admitted, and watched the light come into the windows of the great drawing-room, and shadows appear on the blinds. This curious experience he went through as well as the rest, and gradually came to forget what was unusual in the story of his love; though not even now, after three days’ brooding over it, could he see how it was to be, or how she was to answer what he would have to say. It was on Saturday morning that at last he made his way to the Square. It was a holiday, thank heaven, and the children were out in the Park with their maid, and Alice was at her music when he went in. To-day, at least, there could be no Miss Hadley. To-day there was no excuse for the presence of strangers. Somehow the sound of Alice’s piano struck him with an unpleasant sensation as he went up the stairs almost stealthily, fearing that a third person might start out from behind some door at the sound of his step, to mar the interview he sought. Alice was no common musician, even at her early age; and yet was her daughter. It may be understood how this consciousness, and the sound of the music the girl was playing, came in like one of the discords in his strange story. Had Alice been a child like her little sister, the effect would have been much lessened; but to love a woman whose daughter sat playing Mozart and Beethoven! The thought which passed through Laurie’s mind was not articulate, but yet the sound jarred upon him. Softly he went past the door. If his love-tale had been for Alice there would have been no incongruity in it. He went past the room where the young girl in her meditations sat alone, and knocked softly at the door of the other, in which her mother was pursuing her occupation. The padrona was not painting on that particular afternoon. She was standing by the table, with a portfolio of drawings open before her, searching for something. She called him to come in, and looked up with a bright look of pleasure when she saw who it was. ‘You have come at last,’ she said, holding out her hand to him. ‘What has been wrong? I thought you had forsaken us;’ and looked at him full in the face with candid, unembarrassed eyes.