The Three Brothers; vol. 2/3Oliphant, Mrs. (Margaret)
General
The Three Brothers; vol. 2/3
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
‘I did not know my brother was in the habit of carrying home his work,’
he said, with a certain savage irony. But Laurie did not hear this
speech, and Mr. Rich, who did hear it, took no notice. There was nothing
for it but to stand and stare at the daub as it was raised to its place.
In the middle of the floor, in front of it, stood a bearded stranger,
whom Frank did not know, nor care to know. He was watching the progress
of the picture with anxious interest. Was it Laurie’s picture? Whether
it were or not, Laurie condescending to make a carpenter of himself for
the moment was a sight which shocked his brother much. He strode away to
the end window, and gazed out to show his indifference, with a soft
whistle of impatience, which would have made itself into words anything
but soft had circumstances permitted. But nobody remarked either his
impatience or his anger. The room was long and not very broad, and the
panel in which the picture was being placed was immediately opposite the
gilded pipes of a chamber organ, which was let into the wall. To be
sure, if it had been a picture of chorister boys instead of little
barbarians it would have been more harmonious with the place; but
Suffolk’s Angles shone out of the dark wall like positive sunshine.
There were three broad mullioned windows in one end of the room, and at
the other a great east window full of heraldic designs in painted
glass,--the arms of the Beauchamps and their connexions. Under this
blaze of colour, on either side, the panels were carved, running into
little pinnacles and canopy work of a semi-ecclesiastical kind. It had
been, indeed, a chapel in the early ages, when the Beauchamps were
Catholic. A few high-backed, heavy, oak chairs were all the furniture in
it now, except quite at the west end of the room, near where the
picture was being placed, where a grand piano stood under one window,
and a small easel in the other. This picturesque place, in which priests
in glittering vestments, and knights in steel, and ladies in flowing
robes, would have been the natural actors, was now the music-room in
Richmont, occupied chiefly by the ex-cheesemonger’s daughter,--an
out-of-the-way place in which she could pursue her occupations as she
pleased. Reflections, not exactly to this effect, but of a somewhat
similar meaning, were in Frank’s mind as he turned with disgust from his
unconscious brother. The poor Beauchamps!--who had the best blood in
England in their veins, and were now vegetating at all sorts of wretched
Continental baths and watering-places. To be sure, old Beauchamp was a
blackleg, and his wife no better than she should be,--and the
music-room, when Frank knew it, had been a lumber-room and play-room,
dear to the children, though nobody thought anything about its
picturesqueness. Still, those were the Beauchamps, and these
Riches,--and what a falling off was there! Frank was full of these
thoughts, and in a very discontented mind generally, not condescending
Public-domain text, read in full here on John Shaqi.
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