She gave a cry of wonder and delight when she saw the picture; but the kind father, to whom that cry was music, had made a mistake by bringing the party with him. After the first outburst Nelly retreated and was silent. She was not the kind of Nelly Rich whom either Frank or Laurie Renton had expected to see. Anything more unlike the portly, comely mother who came in after her, sweeping her gorgeous skirts all over the brown oak floor, could not be conceived. Nelly was very small; she had the figure and the foot of a fairy; and how her dark, clear, olive complexion,--her hair so dark as to be almost black,--her brilliant dark-brown eyes,--could have been derived from the two ruddy, roundabout people beside her, was a puzzle to everybody. She might have been a fairy changeling, but that her small figure was perfect in form, and instinct with life, health, and activity. She was as plainly dressed as her mother was gorgeous, with a black gown and knots of crimson ribbons, like a Spaniard, which, indeed, was the most becoming dress she could have chosen. And she was not a timid maiden generally, taking shelter from the crowd; but a creature quite able to express herself and defend herself. Nevertheless she stepped aside as her mother entered on Edgbaston’s arm, and said not a word more about the picture. The party invaded the music-room, filling it with noise and movement. The scene was changed. It was no longer a retired, half-solemn place, full of associations of the past, and one soft, pleasant suggestion of the present conveyed by the fresh flowers, the instruments, the little easel, and the book, which harmonised everything; but a show place, with vulgar sightseers and a vulgar showman,--vulgar, though the visitors came of blood to which no objection could be taken. They gazed at the painted window, and at the carved oak, and at the pictures, alike with suppressed yawns, and referred stealthily to their watches, wondering when luncheon would be announced. Suffolk, who was the only stranger whom no one knew, stood aside, and looked on with a certain indignation. His picture, newly placed, newly arrived,--a picture which Academicians had condescended to praise, and the ‘Sword’ had noticed favourably,--should have been, no one could doubt, the chief thing to be noticed; but what the newcomers did was to cast a careless glance at it, and say, ‘Ah! oh! pretty thing, to be sure,’ and turn their backs with that unspeakable calm of indifference which galls the artist mind beyond endurance. ‘Like old Woodland’s style, ain’t it?’ said Edgbaston, with his glass in his eye. If there was one man or painter whom Suffolk regarded with especial contempt it was old Woodland! The painter turned to the window stung and smarting all over, and tried to look out; and then one of the young men found a sketch upon Nelly’s little easel, and went into ecstasies over it. They all crowded, a mass of tall heads, to