The Three Brothers; vol. 3/3Oliphant, Mrs. (Margaret)
General
The Three Brothers; vol. 3/3
Oliphant, Mrs. (Margaret)
Brothers -- Fiction
There is in it the
most exquisite, tragical, heart-rending pleasure. Not that one would not
regret it with all one’s heart and soul, and do everything that one
could, like Lancelot, to turn aside the rising passion. But even to
Lancelot was not that self-offering of the lily-maid, though he would
have given his life to prevent it, an exquisite sweetness and
sorrowfulness, a combination of the deepest pain and gratification of
which the soul is capable? Such an act raises the doer of it,--be it man
or woman,--out of the level of ordinary humanity, and envelopes the
receiver of the offering in the same maze of tenderest, most melancholy
glory. Something of this feeling the padrona had for her Laurie, who had
given her his life like a flower, without price or hope of price in this
world. And yet, I think, temperament was at the bottom of it, and the
sacrifice, and the sweetness of it, and all the subdued tones of his
existence which had followed, were more to him than the brighter
daylight colours of ordinary existence, even though he might feel the
absence of those fuller tones now and then, once in a way.
But to some extent Laurie acted upon Mrs. Severn’s advice. As luck would
have it, his old rooms at Kensington Gore, having passed through many
hands in the interval, proved to be vacant about this time. And Laurie
secured them, and fitted up all his old fittings, his carved brackets
and velvet hangings, and all the contrivances that had been so pleasant
to him; and had his bow-window once more full of flowers, and looked out
once more upon the gay park and the stream of carriages as from an
opera-box. But the ladies who looked up at his window once had passed
away and given place to others, who knew not Laurie, or had forgotten
him, and asked each other who was the man who stared so from that
window? And from Kensington Gore to Fitzroy Square is a very long walk
to be taken every day. And though, to be sure, there are plenty of
studios about Kensington, into which an amateur may drop, yet these are
grand studios, flanked by drawing-rooms, with ladies to be called upon,
and the flavour of society about. It is true that Suffolk lives in that
refined neighbourhood now, having made very rapid progress since the
days when Mr. Rich bought ‘The Angles,’ and Laurie put the studio in
order for the reception of the patron, and got cobwebs on his coat.
‘They were very nice, those old days, after all!’ Mrs. Suffolk says,
when they talk it over; but they have now a spruce man-servant,--more
spruce, though not so well instructed as old Forrester, Mr. Welby’s
man,--to move a picture that has to be moved, and open the door to the
patrons and patronesses. And Laurie for one, to whom a man-servant is
not the badge of grandeur and success which it is to Mr. Suffolk, rather
preferred, I fear, the state of things in the old days, when they all
clustered about Fitzroy Square.
Public-domain text, read in full here on John Shaqi.
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