The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
XVI. In the arcade of the south aisle are monuments for JOHN BANKS
JENKINSON, Bishop of St. David’s, who died at Malvern in 1840; and for
Prebendary DAVISON, Fellow of Oriel, who died in 1834, the author of a
well-known work on Prophecy. On the floor of this aisle is the recumbent
effigy of an _unknown lady_, of the fourteenth century. The head is
covered with a veil. “The folds of the gown are disposed with great
breadth, taste, and skill.... The feet rest against a whelp or dog. This
effigy is sculptured in high relief out of a slab somewhat
coffin-shaped, and is one of the most beautiful mediæval monumental
relics in the cathedral. It is indeed well worthy of artistic
study[85].” This effigy is not in its original position. The much
mutilated figure near it, also of the fourteenth century, was found
recently at the foot of the steps of the south-east transept.
At the back of the choir-screen, to which place it was removed within
the last century, is a high tomb with an effigy, which probably
represents the last Abbot of EVESHAM, Philip Ballard de Hawford, who
died between 1550 and 1558. The tomb is of earlier date. The Abbot, who
wears the _mitra preciosa_, is fully vested. The pastoral staff, placed
on the left side, is covered with the veil. The effigy is of alabaster.
On the floor, and immediately in front of the easternmost bay which
contained the altar of the Lady-chapel, are three episcopal effigies,
two of which are of much interest. The most northernly, which according
to Mr. Bloxam is the earliest episcopal effigy in the cathedral, is
assigned by him to Bishop WILLIAM OF BLOIS, (died 1236,) who laid the
foundation of this part of the church. “The effigy is sculptured in low
relief, on a coffin-shaped slab, and was probably set originally on the
stone coffin which contained the remains of the Bishop.... On the head
is the low mitre; about the neck is seen the amice. In front of the
breast, on the chasuble, is a lozenge-shaped ornament like a morse, in
which stones, glass, or paste have been inserted.” Under the chasuble
appears the alb, above which one of the fringed extremities of the stole
is visible. The maniple hangs on the left arm. The pastoral staff
crosses the body diagonally, from the left shoulder to the right foot.
On each side of the head is Early English foliage. The southernmost
effigy is assigned by Mr. Bloxam to Bishop WALTER DE CANTILUPE, who died
Feb. 12, 1266. It is sculptured in Purbeck marble, and represents the
Bishop with a moustache and beard, wearing the low mitre, the alb, the
stole, the dalmatic, and the chasuble. The amice is round the neck. “I
believe,” writes Mr. Bloxam, “this effigy to have been originally placed
as the lid to and on the stone coffin of Bishop Walter de Cantilupe, and
to have been sculptured and prepared during the lifetime of that
bishop. Great care has evidently been taken in its execution, and as a
specimen of the monumental sculpture of the middle of the thirteenth
Public-domain text, read in full here on John Shaqi.
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