The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
XVIII. The _north choir-aisle_, of the same general character as that
opposite, has also been restored. The beauty of the capitals and bosses
of foliage is here especially noticeable. In the last bay toward the
west, on the west side of the window, and high in the wall, is a small
oriel window, of Perpendicular date, formerly communicating with the
sacrist’s lodgings. There is now no access whatever to it; but Norman
arches in the wall (evident from without) indicate the existence of a
sacrist’s chamber, and probably of a window afterwards replaced by that
now existing, before the rebuilding of the choir in the thirteenth
century. From the window the position of the great shrines at the head
of the choir was commanded, and it perhaps served as a watching-chamber.
In this aisle (removed from the south transept) is the monument of
Bishop MADDOX, (1743-1759,) who had “an exact knowledge of the
constitution of this national Church.”
XIX. In the easternmost bay of the south aisle of the nave a door (the
Prior’s entrance) opens to the _cloisters_. These are of Perpendicular
date, but their construction has not been recorded. They are (1866)
undergoing a complete restoration, externally and internally; and the
debased stone-work, inserted in the windows in 1762, has been removed.
The exterior was so dilapidated that an entire re-casing was necessary;
but the ancient details have been most carefully decyphered and
restored. Although very perfect, however, the cloisters are of no great
interest or beauty. The arrangement of the vaulting-shafts on the piers
between the windows should be noticed, as well as the flowing tracery on
the sides of the arches. The use of the squared openings in the piers,
on three sides of the cloisters, is quite uncertain, and Professor
Willis has suggested that it may have been a mere caprice of the
builder[90]. The vaulting of the cloisters is lierne, with bosses of
foliage. In the west walk the ancient lavatory remains.
In the north walk is the well-known sepulchral slab, with the single
word _Miserrimus_. This “most wretched one” was the Rev. THOMAS MORRIS,
Minor Canon of Worcester, and Vicar of Claines, about two miles north of
the city. At the Revolution he refused to take the oaths to William
III., and consequently lost his preferments. He was supported by the
richer Nonjurors, and in allusion to his destitute condition ordered
this single word to be engraved on his tomb-stone. The inscription thus
really intimates a very different feeling from that suggested in
Wordsworth’s sonnet:--
“ ... Himself alone
Could thus have dared the grave to agitate,
And claim, among the dead, this awful crown.
Nor doubt that he marked also for his own,
Close to these cloistral steps a burial place,
That every foot might fall with heavier tread,
Trampling upon his vileness. Stranger, pass
Softly!--To save the contrite, Jesus bled.”
Public-domain text, read in full here on John Shaqi.
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