The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
The Norman arches opening to the aisles of nave and choir resemble those
which correspond to them on the south side of the church. The transept
beyond them was, as we have seen, entirely rebuilt, and is one of the
most remarkable examples of the period remaining in England. The unusual
form of its arches, and its pure, lofty windows, are sufficiently
impressive now; but their effect must have been wonderfully increased
when the windows were filled with glass displaying the history and
miracles of the sainted Bishop, and when the shrine itself was standing
on its pedestal within the eastern aisle, rich with the gold and jewels
offered by the numerous pilgrims who knelt daily before it.
The _west_ side of the transept (which is of two bays beyond the aisle
passage) is entirely filled by two very lofty windows, of three lights
each. The heads of the narrow lights are sharply pointed; and the
tracery above is formed by three circles enclosing trefoils. These
windows are set back within triangular-headed arches. On the _north_
side is a double window of the same character, divided by a group of
banded shafts. The triple lights on either side of these shafts, and the
foiled circles above them, precisely resemble the windows on the west
side of the transept. The central tracery of the window is formed by a
foiled circle, with a larger circle, enclosing a sexfoil, above it. The
whole window is set back within a segmental pointed arch, with banded
shafts at the angles of the jambs. The _eastern aisle_ of the transept
is divided into two bays by a clustered pier, the shafts surrounding
which are alternately of sandstone and dark marble. Their capitals are
enriched with foliage, and small knots of foliage are placed between the
bases. The main arches are sharply pointed, and have many plain
mouldings, with one band of dog-tooth ornament, highly detached. The
_triforium_ above (which extends beyond the actual transept, over the
Norman arch opening to the choir-aisle) is especially striking. In each
bay are two sharply pointed arches, each subdivided into three lesser
arches, with foiled headings; and with three open quatrefoils as tracery
above. The main arch is surrounded by a row of dog-tooth. The large
spandrel spaces between the arches are entirely covered with a diaper of
leaf-ornament, in low relief. The _clerestory_ windows are octofoils,
set far back within pointed arches. On the exterior, the form of the
window openings is triangular, like those of the triforium at
Westminster and those in the clerestory of the nave at Lichfield. On the
interior, the sills of the windows slope forward with overlapping
courses of stone, to the stringcourse at the top of the triforium. The
sills of the great windows in the transept are formed in a similar
manner, with overlapping courses of stone.
[Illustration: PEDESTAL OF THE SHRINE OF BISHOP CANTILUPE.
PLATE IV.
]
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