The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the BishopsKing, R. J. (Richard John)
Religion
The Three Choirs: A Handbook to the Cathedrals of Gloucester, Hereford, and Worcester: A Complete Description of the Buildings, a History of Each Diocese and Biographical Notices of the Bishops
Under the great north window of the transept is a richly canopied tomb
with effigy of Bishop THOMAS CHARLTON, (died 1369). This effigy was not
disturbed by Wyatt, and remains in its original position. West of this
monument is the effigy of Bishop WESTFALING, (died 1602). The canopy was
destroyed by Wyatt. This is the bishop who is said so rarely to have
smiled after his consecration to the episcopate; (see Pt. II.)
In the pavement adjoining the choir-aisle, a very good small brass has
been inserted for JOHN PHILIPS, (died 1708, aged 32,) whose family were
natives of Herefordshire, although the poet himself was born at Bampton
in Oxfordshire, of which place his father was rector. His principal
work, however, “Cider,” belongs essentially to Herefordshire. A monument
to Philips was placed in Westminster Abbey by Lord Chancellor Harcourt,
and bears an inscription written by Bishop Atterbury.
[Illustration: MONUMENT OF BISHOP D’AQUABLANCA.
(FROM THE NORTH TRANSEPT.) PLATE V.
]
XIII. The _north choir-aisle_ is entered through the original Norman
arch; which (together with that opening from the nave-aisle) was cleared
by Mr. Cottingham from the masonry with which it had been nearly closed,
in order to strengthen the tower piers. Between this aisle and the
eastern aisle of the transept is the very beautiful monument of Bishop
D’ACQUABLANCA, (1240-1268). [Plate V.] The effigy lies under a canopy
supported by light shafts of Purbeck marble. The gables of the canopy
are crowned with floriated crosses, the central cross bearing a figure
of the crucified Saviour. The monument may be compared with that of
Bishop Bridport at Salisbury, (died 1262,) which is, however, far richer
and more elaborate. The tomb of Bishop d’Acquablanca was originally
richly coloured; and an attempt at restoration was made by an amateur in
1861. It was soon, however, discontinued,--not unwisely, as the
commencement remains to prove.
Public-domain text, read in full here on John Shaqi.
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