The Three Cities Trilogy: Lourdes, Volume 1Zola, Émile
Religion
The Three Cities Trilogy: Lourdes, Volume 1
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
Thus, little by little, the lady had assumed a precise appearance. The
something clad in white had become indeed a lady more beautiful than a
queen, of a kind such as is only seen in pictures. At first, in
presence of the questions with which all the neighbours plied her from
morning till evening, Bernadette had hesitated, disturbed, perhaps, by
scruples of conscience. But then, as though prompted by the very
interrogatories to which she was subjected, she seemed to perceive the
figure which she had beheld, more plainly, so that it definitely
assumed life, with lines and hues from which the child, in her
after-descriptions, never departed. The lady’s eyes were blue and very
mild, her mouth was rosy and smiling, the oval of her face expressed
both the grace of youth and of maternity. Below the veil covering her
head and falling to her heels, only a glimpse was caught of her
admirable fair hair, which was slightly curled. Her robe, which was of
dazzling whiteness, must have been of some material unknown on earth,
some material woven of the sun’s rays. Her sash, of the same hue as the
heavens, was fastened loosely about her, its long ends streaming
downwards, with the light airiness of morning. Her chaplet, wound about
her right arm, had beads of a milky whiteness, whilst the links and the
cross were of gold. And on her bare feet, on her adorable feet of
virgin snow, flowered two golden roses, the mystic roses of this divine
mother’s immaculate flesh.
Where was it that Bernadette had seen this Blessed Virgin, of such
traditionally simple composition, unadorned by a single jewel, having
but the primitive grace imagined by the painters of a people in its
childhood? In which illustrated book belonging to her foster-mother’s
brother, the good priest, who read such attractive stories, had she
beheld this Virgin? Or in what picture, or what statuette, or what
stained-glass window of the painted and gilded church where she had
spent so many evenings whilst growing up? And whence, above all things,
had come those golden roses poised on the Virgin’s feet, that piously
imagined florescence of woman’s flesh—from what romance of chivalry,
from what story told after catechism by the Abbe Ader, from what
unconscious dream indulged in under the shady foliage of Bartres,
whilst ever and ever repeating that haunting Angelic Salutation?
Public-domain text, read in full here on John Shaqi.
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