The Three Cities Trilogy: Lourdes, Volume 4Zola, Émile
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The Three Cities Trilogy: Lourdes, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Lourdes (France) -- Fiction
But, little by little, his eyes became accustomed to the dimness. Two
windows of unequal size opened on to a narrow, interior courtyard, where
only a greenish light descended, as at the bottom of a well; and to read
there, in the middle of the day, it would be necessary to have a candle.
Measuring about fifteen feet by twelve, the room was flagged with large
uneven stones; while the principal beam and the rafters of the roof,
which were visible, had darkened with time and assumed a dirty, sooty
hue. Opposite the door was the chimney, a miserable plaster chimney, with
a mantelpiece formed of a rotten old plank. There was a sink between this
chimney and one of the windows. The walls, with their decaying,
damp-stained plaster falling off by bits, were full of cracks, and
turning a dirty black like the ceiling. There was no longer any furniture
there; the room seemed abandoned; you could only catch a glimpse of some
confused, strange objects, unrecognisable in the heavy obscurity that
hung about the corners.
After a spell of silence, the doctor exclaimed "Yes, this is the room;
all came from here. Nothing has been changed, with the exception that the
furniture has gone. I have tried to picture how it was placed: the beds
certainly stood against this wall, opposite the windows; there must have
been three of them at least, for the Soubirouses were seven--the father,
mother, two boys, and three girls. Think of that! Three beds filling this
room! Seven persons living in this small space! All of them buried alive,
without air, without light, almost without bread! What frightful misery!
What lowly, pity-awaking poverty!"
But he was interrupted. A shadowy form, which Pierre at first took for an
old woman, entered. It was a priest, however, the curate of the parish,
who now occupied the house. He was acquainted with the doctor.
"I heard your voice, Monsieur Chassaigne, and came down," said he. "So
there you are, showing the room again?"
"Just so, Monsieur l' Abbe; I took the liberty. It does not inconvenience
you?"
"Oh! not at all, not at all! Come as often as you please, and bring other
people."
He laughed in an engaging manner, and bowed to Pierre, who, astonished by
this quiet carelessness, observed: "The people who come, however, must
sometimes plague you?"
The curate in his turn seemed surprised. "Indeed, no! Nobody comes. You
see the place is scarcely known. Every one remains over there at the
Grotto. I leave the door open so as not to be worried. But days and days
often pass without my hearing even the sound of a mouse."
Pierre's eyes were becoming more and more accustomed to the obscurity;
and among the vague, perplexing objects which filled the corners, he
ended by distinguishing some old barrels, remnants of fowl cages, and
broken tools, a lot of rubbish such as is swept away and thrown to the
bottom of cellars. Hanging from the rafters, moreover, were some
provisions, a salad basket full of eggs, and several bunches of big pink
onions.
Public-domain text, read in full here on John Shaqi.
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