A great shudder came upon Pierre as he thought of all that mass of
iniquity and suffering, of all that went on below amid want and crime,
and all that went on above amid wealth and vice. The _bourgeoisie_,
wielding power, would relinquish naught of the sovereignty which it had
conquered, wholly stolen, while the people, the eternal dupe, silent so
long, clenched its fists and growled, claiming its legitimate share. And
it was that frightful injustice which filled the growing gloom with
anger. From what dark-breasted cloud would the thunderbolt fall? For
years he had been waiting for that thunderbolt which low rumbles
announced on all points of the horizon. And if he had written a book full
of candour and hope, if he had gone in all innocence to Rome, it was to
avert that thunderbolt and its frightful consequences. But all hope of
the kind was dead within him; he felt that the thunderbolt was
inevitable, that nothing henceforth could stay the catastrophe. And never
before had he felt it to be so near, amidst the happy impudence of some,
and the exasperated distress of others. And it was gathering, and it
would surely fall over that Paris, all lust and bravado, which, when
evening came, thus stirred up its furnace.
Tired out and distracted, Pierre raised his eyes as he reached the Place
de l’Opera. Where was he then? The heart of the great city seemed to beat
on this spot, in that vast expanse where met so many thoroughfares, as if
from every point the blood of distant districts flowed thither along
triumphal avenues. Right away to the horizon stretched the great gaps of
the Avenue de l’Opera, the Rue du Quatre-Septembre, and the Rue de la
Paix, still showing clearly in a final glimpse of daylight, but already
starred with swarming sparks. The torrent of the Boulevard traffic poured
across the Place, where clashed, too, all that from the neighbouring
streets, with a constant turning and eddying which made the spot the most
dangerous of whirlpools. In vain did the police seek to impose some
little prudence, the stream of pedestrians still overflowed, wheels
became entangled and horses reared amidst all the uproar of the human
tide, which was as loud, as incessant, as the tempest voice of an ocean.
Then there was the detached mass of the opera-house, slowly steeped in
gloom, and rising huge and mysterious like a symbol, its lyre-bearing
figure of Apollo, right aloft, showing a last reflection of daylight
amidst the livid sky. And all the windows of the house-fronts began to
shine, gaiety sprang from those thousands of lamps which coruscated one
by one, a universal longing for ease and free gratification of each
desire spread with the increasing darkness; whilst, at long intervals,
the large globes of the electric lights shone as brightly as the moons of
the city’s cloudless nights.
Public-domain text, read in full here on John Shaqi.
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