Not daring to sit down, Pierre examined the apartment. It looked perhaps yet more dilapidated than the others, with its hangings of green damask worn by age and resembling the faded moss on ancient trees. The ceiling, however, had remained superb. Within a frieze of gilded and coloured ornaments was a fresco representing the Triumph of Amphitrite, the work of one of Raffaelle’s pupils. And, according to antique usage, it was here that the _berretta_, the red cap, was placed, on a credence, below a large crucifix of ivory and ebony. As Pierre grew used to the half-light, however, his attention was more particularly attracted by a recently painted full-length portrait of the Cardinal in ceremonial costume--cassock of red moire, rochet of lace, and _cappa_ thrown like a royal mantle over his shoulders. In these vestments of the Church the tall old man of seventy retained the proud bearing of a prince, clean shaven, but still boasting an abundance of white hair which streamed in curls over his shoulders. He had the commanding visage of the Boccaneras, a large nose and a large thin-lipped mouth in a long face intersected by broad lines; and the eyes which lighted his pale countenance were indeed the eyes of his race, very dark, yet sparkling with ardent life under bushy brows which had remained quite black. With laurels about his head he would have resembled a Roman emperor, very handsome and master of the world, as though indeed the blood of Augustus pulsated in his veins. Pierre knew his story which this portrait recalled. Educated at the College of the Nobles, Pio Boccanera had but once absented himself from Rome, and that when very young, hardly a deacon, but nevertheless appointed oblegate to convey a _berretta_ to Paris. On his return his ecclesiastical career had continued in sovereign fashion. Honours had fallen on him naturally, as by right of birth. Ordained by Pius IX himself, afterwards becoming a Canon of the Vatican Basilica, and _Cameriere segreto_, he had risen to the post of Majordomo about the time of the Italian occupation, and in 1874 had been created a Cardinal. For the last four years, moreover, he had been Papal Chamberlain (_Camerlingo_), and folks whispered that Leo XIII had appointed him to that post, even as he himself had been appointed to it by Pius IX, in order to lessen his chance of succeeding to the pontifical throne; for although the conclave in choosing Leo had set aside the old tradition that the Camerlingo was ineligible for the papacy, it was not probable that it would again dare to infringe that rule. Moreover, people asserted that, even as had been the case in the reign of Pius, there was a secret warfare between the Pope and his Camerlingo, the latter remaining on one side, condemning the policy of the Holy See, holding radically different opinions on all things, and silently waiting for the death of Leo, which would place power in his hands with the duty of summoning the conclave,