The Three Cities Trilogy: Rome, Volume 2Zola, Émile
General
The Three Cities Trilogy: Rome, Volume 2
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
From the /stanze/ Narcisse took Pierre to the /loggie/, those glazed
galleries which are so high and so delicately decorated. But here you
only find work which pupils executed after designs left by Raffaelle at
his death. The fall was sudden and complete, and never had Pierre better
understood that genius is everything--that when it disappears the school
collapses. The man of genius sums up his period; at a given hour he
throws forth all the sap of the social soil, which afterwards remains
exhausted often for centuries. So Pierre became more particularly
interested in the fine view that the /loggie/ afford, and all at once he
noticed that the papal apartments were in front of him, just across the
Court of San Damaso. This court, with its porticus, fountain, and white
pavement, had an aspect of empty, airy, sunlit solemnity which surprised
him. There was none of the gloom or pent-up religious mystery that he had
dreamt of with his mind full of the surroundings of the old northern
cathedrals. Right and left of the steps conducting to the rooms of the
Pope and the Cardinal Secretary of State four or five carriages were
ranged, the coachmen stiffly erect and the horses motionless in the
brilliant light; and nothing else peopled that vast square desert of a
court which, with its bareness gilded by the coruscations of its
glass-work and the ruddiness of its stones, suggested a pagan temple
dedicated to the sun. But what more particularly struck Pierre was the
splendid panorama of Rome, for he had not hitherto imagined that the Pope
from his windows could thus behold the entire city spread out before him
as if he merely had to stretch forth his hand to make it his own once
more.
While Pierre contemplated the scene a sound of voices caused him to turn;
and he perceived a servant in black livery who, after repeating a message
to Narcisse, was retiring with a deep bow. Looking much annoyed, the
/attache/ approached the young priest. "Monsignor Gamba del Zoppo," said
he, "has sent word that he can't see us this morning. Some unexpected
duties require his presence." However, Narcisse's embarrassment showed
that he did not believe in the excuse, but rather suspected some one of
having so terrified his cousin that the latter was afraid of compromising
himself. Obliging and courageous as Habert himself was, this made him
indignant. Still he smiled and resumed: "Listen, perhaps there's a means
of forcing an entry. If your time is your own we can lunch together and
then return to visit the Museum of Antiquities. I shall certainly end by
coming across my cousin and we may, perhaps, be lucky enough to meet the
Pope should he go down to the gardens."
Public-domain text, read in full here on John Shaqi.
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