The Three Cities Trilogy: Rome, Volume 3Zola, Émile
History
The Three Cities Trilogy: Rome, Volume 3
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Ah! that ascent of the monumental staircase with its low steps and its
landings as spacious as guardrooms. They facilitated the cruel journey,
but how lugubrious looked the little /cortege/ under the flickering
glimmer of the lamp which Benedetta held with arm outstretched, stiffened
by determination! And still not a sound came from the old lifeless
dwelling, nothing but the silent crumbling of the walls, the slow decay
which was making the ceilings crack. Victorine continued to whisper words
of advice whilst Pierre, afraid of slipping on the shiny slabs, put forth
an excess of strength which made his breath come short. Huge, wild
shadows danced over the big expanse of bare wall up to the very vaults
decorated with sunken panels. So endless seemed the ascent that at last a
halt became necessary; but the slow march was soon resumed. Fortunately
Dario's apartments--bed-chamber, dressing-room, and sitting-room--were on
the first floor adjoining those of the Cardinal in the wing facing the
Tiber; so, on reaching the landing, they only had to walk softly along
the corridor, and at last, to their great relief, laid the wounded man
upon his bed.
Victorine vented her satisfaction in a light laugh. "That's done," said
she; "put the lamp on that table, Contessina. I'm sure nobody heard us.
It's lucky that Donna Serafina should have gone out, and that his
Eminence should have shut himself up with Don Vigilio. I wrapped my skirt
round Monsieur Dario's shoulders, you know, so I don't think any blood
fell on the stairs. By and by, too, I'll go down with a sponge and wipe
the slabs in the porch--" She stopped short, looked at Dario, and then
quickly added: "He's breathing--now I'll leave you both to watch over him
while I go for good Doctor Giordano, who saw you come into the world,
Contessina. He's a man to be trusted."
Alone with the unconscious sufferer in that dim chamber, which seemed to
quiver with the frightful horror that filled their hearts, Benedetta and
Pierre remained on either side of the bed, as yet unable to exchange a
word. The young woman first opened her arms and wrung her hands whilst
giving vent to a hollow moan, as if to relieve and exhale her grief; and
then, leaning forward, she watched for some sign of life on that pale
face whose eyes were closed. Dario was certainly breathing, but his
respiration was slow and very faint, and some time went by before a touch
of colour returned to his cheeks. At last, however, he opened his eyes,
and then she at once took hold of his hand and pressed it, instilling
into the pressure all the anguish of her heart. Great was her happiness
on feeling that he feebly returned the clasp.
"Tell me," she said, "you can see me and hear me, can't you? What has
happened, good God?"
Public-domain text, read in full here on John Shaqi.
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