The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Again did Pierre hear that dull plaint, that involuntary despairing
growl, which had upset him once before. And he looked at the Count, and
asked him: "Are you suffering?" But on seeing how livid was the face of
Prada, who only retained his calmness by a superhuman effort, he
regretted his indiscreet question, which, moreover, remained unanswered.
And then to put the other more at ease, the young priest went on
speaking, venting the thoughts which the sight before him inspired: "Your
father was right," said he, "we Frenchmen whose education is so full of
the Catholic spirit, even in these days of universal doubt, we never
think of Rome otherwise than as the old Rome of the popes. We scarcely
know, we can scarcely understand the great changes which, year by year,
have brought about the Italian Rome of the present day. Why, when I
arrived here, the King and his government and the young nation working to
make a great capital for itself, seemed to me of no account whatever!
Yes, I dismissed all that, thought nothing of it, in my dream of
resuscitating a Christian and evangelical Rome, which should assure the
happiness of the world."
He laughed as he spoke, pitying his own artlessness, and then pointed
towards the gallery where Prince Buongiovanni was bowing to the King
whilst the Princess listened to the gallant remarks of Sacco: a scene
full of symbolism, the old papal aristocracy struck down, the /parvenus/
accepted, the black and white worlds so mixed together that one and all
were little else than subjects, on the eve of forming but one united
nation. That conciliation between the Quirinal and the Vatican which in
principle was regarded as impossible, was it not in practice fatal, in
face of the evolution which went on day by day? People must go on living,
loving, and creating life throughout the ages. And the marriage of
Attilio and Celia would be the symbol of the needful union: youth and
love triumphing over ancient hatred, all quarrels forgotten as a handsome
lad goes by, wins a lovely girl, and carries her off in his arms in order
that the world may last.
"Look at them!" resumed Pierre, "how handsome and young and gay both the
/fiances/ are, all confidence in the future. Ah! I well understand that
your King should have come here to please his minister and win one of the
old Roman families over to his throne; it is good, brave, and fatherly
policy. But I like to think that he has also realised the touching
significance of that marriage--old Rome, in the person of that candid,
loving child giving herself to young Italy, that upright, enthusiastic
young man who wears his uniform so jauntily. And may their nuptials be
definitive and fruitful; from them and from all the others may there
arise the great nation which, now that I begin to know you, I trust you
will soon become!"
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account