The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
When Pierre at last succeeded in reaching the door of the Hall of the
Antiques, where the buffet was installed, he found Prada there,
motionless, gazing despite himself on the galling spectacle which he
desired to flee. A power stronger than his will had kept him there,
forcing him to turn round and look, and look again. And thus, with a
bleeding heart, he still lingered and witnessed the resumption of the
dancing, the first figure of a quadrille which the orchestra began to
play with a lively flourish of its brass instruments. Benedetta and
Dario, Celia and Attilio were /vis-à-vis/. And so charming and
delightful was the sight which the two couples presented dancing in the
white blaze, all youth and joy, that the King and Queen drew near to them
and became interested. And soon bravos of admiration rang out, while from
every heart spread a feeling of infinite tenderness.
"I'm dying of thirst, let's go!" repeated Prada, at last managing to
wrench himself away from the torturing sight.
He called for some iced lemonade and drank the glassful at one draught,
gulping it down with the greedy eagerness of a man stricken with fever,
who will never more be able to quench the burning fire within him.
The Hall of the Antiques was a spacious room with mosaic pavement, and
decorations of stucco; and a famous collection of vases, bas-reliefs, and
statues, was disposed along its walls. The marbles predominated, but
there were a few bronzes, and among them a dying gladiator of extreme
beauty. The marvel however was the famous statue of Venus, a companion to
that of the Capitol, but with a more elegant and supple figure and with
the left arm falling loosely in a gesture of voluptuous surrender. That
evening a powerful electric reflector threw a dazzling light upon the
statue, which, in its divine and pure nudity, seemed to be endowed with
superhuman, immortal life. Against the end-wall was the buffet, a long
table covered with an embroidered cloth and laden with fruit, pastry, and
cold meats. Sheaves of flowers rose up amidst bottles of champagne, hot
punch, and iced /sorbetto/, and here and there were marshalled armies of
glasses, tea-cups, and broth-bowls, a perfect wealth of sparkling
crystal, porcelain, and silver. And a happy innovation had been to fill
half of the hall with rows of little tables, at which the guests, in lieu
of being obliged to refresh themselves standing, were able to sit down
and order what they desired as in a cafe.
At one of these little tables, Pierre perceived Narcisse seated near a
young woman, whom Prada, on approaching, recognised to be Lisbeth. "You
find me, you see, in delightful company," gallantly exclaimed the
/attache/. "As we lost one another, I could think of nothing better than
of offering madame my arm to bring her here."
"It was, in fact, a good idea," said Lisbeth with her pretty laugh, "for
I was feeling very thirsty."
Public-domain text, read in full here on John Shaqi.
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