The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
She was seated on the fallen column beside the old marble sarcophagus,
and desired the priest to place himself beside her. Never had he seen her
looking so beautiful, with her black hair encompassing her pure face,
which in the sunshine appeared pinky and delicate as a flower. Her large,
fathomless eyes showed in the light like braziers rolling gold, and her
childish mouth, all candour and good sense, laughed the laugh of one who
was at last free to love as her heart listed, without offending either
God or man. And, dreaming aloud, she built up plans for the future. "It's
all simple enough," said she; "I have already obtained a separation, and
shall easily get that changed into civil divorce now that the Church has
annulled my marriage. And I shall marry Dario next spring, perhaps
sooner, if the formalities can be hastened. He is going to Naples this
evening about the sale of some property which we still possess there, but
which must now be sold, for all this business has cost us a lot of money.
Still, that doesn't matter since we now belong to one another. And when
he comes back in a few days, what a happy time we shall have! I could not
sleep when I got back from that splendid ball last night, for my head was
so full of plans--oh! splendid plans, as you shall see, for I mean to
keep you in Rome until our marriage."
Like herself, Pierre began to laugh, so gained upon by this explosion of
youth and happiness that he had to make a great effort to refrain from
speaking of his own delight, his hopefulness at the thought of his coming
interview with the Pope. Of that, however, he had sworn to speak to
nobody.
Every now and again, amidst the quivering silence of the sunlit garden,
the cry of a bird persistently rang out; and Benedetta, raising her head
and looking at a cage hanging beside one of the first-floor windows,
jestingly exclaimed: "Yes, yes, Tata, make a good noise, show that you
are pleased, my dear. Everybody in the house must be pleased now." Then,
turning towards Pierre, she added gaily: "You know Tata, don't you? What!
No? Why, Tata is my uncle's parrot. I gave her to him last spring; he's
very fond of her, and lets her help herself out of his plate. And he
himself attends to her, puts her out and takes her in, and keeps her in
his dining-room, for fear lest she should take cold, as that is the only
room of his which is at all warm."
Pierre in his turn looked up and saw the bird, one of those pretty little
parrots with soft, silky, dull-green plumage. It was hanging by the beak
from a bar of its cage, swinging itself and flapping its wings, all mirth
in the bright sunshine.
"Does the bird talk?" he asked.
Public-domain text, read in full here on John Shaqi.
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