The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
It was true, never had loftier and more resplendent beauty appeared on
the faces of the dead. Dario's countenance, so lately aged and earthen,
had assumed the pallor and nobility of marble, its features lengthened
and simplified as by a transport of ineffable joy. Benedetta remained
very grave, her lips curved by ardent determination, whilst her whole
face was expressive of dolorous yet infinite beatitude in a setting of
infinite whiteness. Their hair mingled, and their eyes, which had
remained open, continued gazing as into one another's souls with eternal,
caressing sweetness. They were for ever linked, soaring into immortality
amidst the enchantment of their union, vanquishers of death, radiant with
the rapturous beauty of love, the conqueror, the immortal.
But Victorine's sobs at last burst forth, mingled with such lamentations
that great confusion followed. Pierre, now quite beside himself, in some
measure failed to understand how it was that the room suddenly became
invaded by terrified people. The Cardinal and Don Vigilio, however, must
have hastened in from the chapel; and at the same moment, no doubt,
Doctor Giordano must have returned with Donna Serafina, for both were now
there, she stupefied by the blows which had thus fallen on the house in
her absence, whilst he, the doctor, displayed the perturbation and
astonishment which comes upon the oldest practitioners when facts seem to
give the lie to their experience. However, he sought an explanation of
Benedetta's death, and hesitatingly ascribed it to aneurism, or possibly
embolism.
Thereupon Victorine, like a servant whose grief makes her the equal of
her employers, boldly interrupted him: "Ah! Sir," said she, "they loved
each other too fondly; did not that suffice for them to die together?"
Meantime Donna Serafina, after kissing the poor children on the brow,
desired to close their eyes; but she could not succeed in doing so, for
the lids lifted directly she removed her finger and once more the eyes
began to smile at one another, to exchange in all fixity their loving and
eternal glance. And then as she spoke of parting the bodies, Victorine
again protested: "Oh! madame, oh! madame," she said, "you would have to
break their arms. Cannot you see that their fingers are almost dug into
one another's shoulders? No, they can never be parted!"
Public-domain text, read in full here on John Shaqi.
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