The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
though at the same time he felt happy in the thought that if his interest
directed otherwise he would not do so.
And the remainder of the journey was accomplished in silent weariness,
amidst the shiver of evening which seemed to have chilled all three men.
In vain did the Count endeavour to escape from the battle of his
thoughts, by reverting to the Buongiovanni reception, and giving
particulars of the splendours which would be witnessed at it: his words
fell sparsely in an embarrassed and absent-minded way. Then he sought to
inspirit Pierre by speaking to him of Cardinal Sanguinetti's amiable
manner and fair words, but although the young priest was returning home
well pleased with his journey, in the idea that with a little help he
might yet triumph, he scarcely answered the Count, so wrapt he was in his
reverie. And Santobono, on his side, neither spoke nor moved. Black like
the night itself, he seemed to have vanished. However, the lights of Rome
were increasing in number, and houses again appeared on either hand, at
first at long intervals, and then in close succession. They were suburban
houses, and there were yet more fields of reeds, quickset hedges,
olive-trees overtopping long walls, and big gateways with vase-surmounted
pillars; but at last came the city with its rows of small grey houses,
its petty shops and its dingy taverns, whence at times came shouts and
rumours of battle.
Prada insisted on setting his companions down in the Via Giulia, at fifty
paces from the palazzo. "It doesn't inconvenience me at all," said he to
Pierre. "Besides, with the little time you have before you, it would
never do for you to go on foot."
The Via Giulia was already steeped in slumber, and wore a melancholy
aspect of abandonment in the dreary light of the gas lamps standing on
either hand. And as soon as Santobono had alighted from the carriage, he
took himself off without waiting for Pierre, who, moreover, always went
in by the little door in the side lane.
"Good-bye, Abbe," exclaimed Prada.
"Good-bye, Count, a thousand thanks," was Santobono's response.
Then the two others stood watching him as he went towards the Boccanera
mansion, whose old, monumental entrance, full of gloom, was still wide
open. For a moment they saw his tall, rugged figure erect against that
gloom. Then in he plunged, he and his little basket, bearing Destiny.
XII
Public-domain text, read in full here on John Shaqi.
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