The Three Cities Trilogy: Rome, Volume 4Zola, Émile
Religion
The Three Cities Trilogy: Rome, Volume 4
Zola, Émile
Catholics -- Fiction; Christian pilgrims and pilgrimages -- Fiction; Clergy -- Fiction; Rome (Italy) -- Fiction
Pierre promptly recognised the bright face and pleasant smile of Stefana,
whom he had already met at old Orlando's. But he was more interested in
her husband, a dark dry man, with big eyes, sallow complexion, prominent
chin, and vulturine nose. Like some gay Neapolitan "Pulcinello," he was
dancing, shouting, and displaying such infectious good humour that it
spread to all around him. He possessed a wonderful gift of speech, with a
voice that was unrivalled as an instrument of fascination and conquest;
and on seeing how easily he ingratiated himself with the people in that
drawing-room, one could understand his lightning-like successes in the
political world. He had manoeuvered with rare skill in the matter of his
son's marriage, affecting such exaggerated delicacy of feeling as to set
himself against the lovers, and declare that he would never consent to
their union, as he had no desire to be accused of stealing a dowry and a
title. As a matter of fact, he had only yielded after the Buongiovannis
had given their consent, and even then he had desired to take the opinion
of old Orlando, whose lofty integrity was proverbial. However, he knew
right well that he would secure the old hero's approval in this
particular affair, for Orlando made no secret of his opinion that the
Buongiovannis ought to be glad to admit his grand-nephew into their
family, as that handsome young fellow, with brave and healthy heart,
would help to regenerate their impoverished blood. And throughout the
whole affair, Sacco had shrewdly availed himself of Orlando's famous
name, for ever talking of the relationship between them, and displaying
filial veneration for this glorious founder of the country, as if indeed
he had no suspicion that the latter despised and execrated him and
mourned his accession to power in the conviction that he would lead Italy
to shame and ruin.
"Ah!" resumed Narcisse addressing Pierre, "he's one of those supple,
practical men who care nothing for a smack in the face. It seems that
unscrupulous individuals like himself become necessary when states get
into trouble and have to pass through political, financial, and moral
crises. It is said that Sacco with his imperturbable assurance and
ingenious and resourceful mind has quite won the King's favour. Just look
at him! Why, with that crowd of courtiers round him, one might think him
the master of this palace!"
And indeed the guests, after passing the Prince and Princess with a bow,
at once congregated around Sacco, for he represented power, emoluments,
pensions, and crosses; and if folks still smiled at seeing his dark,
turbulent, and scraggy figure amidst that framework of family portraits
which proclaimed the mighty ancestry of the Buongiovannis, they none the
less worshipped him as the personification of the new power, the
democratic force which was confusedly rising even from the old Roman soil
where the /patriziato/ lay in ruins.
"What a crowd!" muttered Pierre. "Who are all these people?"
Public-domain text, read in full here on John Shaqi.
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