And then came the Misses Neverbend walking together, and with them, one on each side, two tall Frenchmen, whose faces had been remodelled in that mould into which so large a proportion of Parisians of the present day force their heads, in order that they may come out with some look of the Emperor about them. Were there not some such machine as this in operation, it would be impossible that so many Frenchmen should appear with elongated, angular, hard faces, all as like each other as though they were brothers! The cut of the beard, the long prickly-ended, clotted moustache, which looks as though it were being continually rolled up in saliva, the sallow, half-bronzed, apparently unwashed colour--these may all, perhaps, be assumed by any man after a certain amount of labour and culture. But how it has come to pass that every Parisian has been able to obtain for himself a pair of the Emperor's long, hard, bony, cruel-looking cheeks, no Englishman has yet been able to guess. That having the power they should have the wish to wear this mask is almost equally remarkable. Can it be that a political phase, when stamped on a people with an iron hand of sufficient power of pressure, will leave its impress on the outward body as well as on the inward soul? If so, a Frenchman may, perhaps, be thought to have gained in the apparent stubborn wilfulness of his countenance some recompense for his compelled loss of all political wilfulness whatever. Be this as it may, the two Misses Neverbend walked on, each with a stubborn long-faced Frenchman at her side, looking altogether not ill pleased at this instance of the excellence of French manners. After them came Linda, talking to some acquaintance of her own, and then poor dear little Katie with another Frenchman, sterner, more stubborn-looking, more long-faced, more like the pattern after whom he and they had been remodelled, than any of them.