There was no need for the precaution. The danger that threatened
Massignac did not come from the crowd, which preserved a religious
silence, as though it were preparing to celebrate some solemn ritual.
Massignac was received with neither applause nor invective. The
spectators waited gravely for what was about to happen, though no one
guessed that _that_ was on the point of happening. Those seated on the
upper tiers, of whom I was one, often turned their heads upwards. In
the clear sky, shimmering with gold, shone Venus, the Evening Star.
What a moment! For the first time in the world's history men felt
certain that they were being contemplated by eyes which were not human
eyes and watched by minds which differed from their own minds. For the
first time they were connected in a tangible fashion with that beyond,
formerly peopled by their dreams and their hopes alone, from which the
friendly gaze of their new brothers now fell upon them. These were not
legends and phantoms projected into the empty heavens by our thirsting
souls, but living beings who were addressing us in the living and
natural language of the pictures, until the hour, now near at hand,
when we should talk together like friends who had lost and found one
another.
Their eyes, their Three Eyes, were infinitely gentle that day, filled
with a tenderness which seemed born of love and which thrilled us with
an equal tenderness, with the same love. What were they presaging,
those women's eyes, those eyes of many women that quivered before us
so attractively and with such smiles and such delightful promise? Of
what happy and charming scenes of our past were we to be the
astonished witnesses?
I watched my neighbours. All, like myself, were leaning towards the
screen. The sight affected their faces before it occurred. I noticed
the pallor of two young men beside me. A woman whose face was hidden
from my eyes by a thick mourning-veil sat with her handkerchief in her
hand, ready to shed tears.
The first scene represented a landscape, full of glaring light, which
appeared to be an Italian landscape, with a dusty road along which
cavalry-men, wearing the uniform of the revolutionary armies, were
galloping around a travelling-carriage drawn by four horses. Then,
immediately afterwards, we saw in a shady garden, at the end of an
avenue of dark cypresses, a house with closed shutters standing on a
flower-decked terrace.
The carriage stopped at the foot of the terrace and drove off again
after setting down an officer who ran up to the door and knocked at it
with the pommel of his sword.
The door was opened almost at once. A tall young woman rushed out of
the house, with her arms outstretched towards the officer. But, at the
moment when they were about to embrace, they both took a few steps
backwards, as though to delay their happiness and in so doing to taste
its delights more fully.
Public-domain text, read in full here on John Shaqi.
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