"My investigations were commenced immediately after
the first revelations made by M. Victorien Beaugrand.
I collated all his statements. I analysed all his
impressions. I seized upon all that Noël Dorgeroux had
said. I went over the details of all his experiments.
And in consequence of carefully weighing and examining
all these things I did not come to the first
performance at Meudon with my hands in my pockets, as
a lover of sensations and a dabbler in mystery. On the
contrary, I came with a well-considered plan and with
a few working-implements, deliberately selected and
concealed under my own clothing and that of some of my
friends who were good enough to assist me.
"First of all, a camera. This was a matter of some
difficulty. M. Théodore Massignac had his misgivings
and had prohibited the introduction of so much as the
smallest Kodak. Nevertheless I succeeded. I had to. I
had to provide a definite answer to a first question,
which might be called the critical question: are the
Meudon apparitions due to individual or collective
suggestions, possessing no reality outside those who
experience them, or have they a real and external
cause? That answer may certainly be deduced from the
absolute identity of the impressions received by all
the spectators. But to-day I am adducing a direct
proof which I consider to be unassailable. The camera
refuses any sort of suggestion. The camera is not a
brain in which the picture can create itself, in which
an hallucination is formed out of internal data. It is
a witness that does not lie and is not mistaken. Well,
this witness has spoken. The sensitive plate certifies
the phenomena to be real. I hold at the disposal of
the Academy seven negatives of the screen thus
obtained by instantaneous exposures. Two of them,
representing Rheims Cathedral on fire, are remarkably
clear.
"Here then the first point is settled: the screen is
the seat of an emanation of light-rays.
"While I was obtaining the proofs of this emanation, I
submitted it to the means of investigation which
physics places at our disposal. I was not,
unfortunately, able to make as many or as accurate
experiments as I should have wished. The distance of
the wall, the local arrangements and the inadequacy of
the light emitted by the screen were against me.
Nevertheless, by using the spectroscope and the
polarimeter, I ascertained that this light did not
appear to differ perceptibly from the natural light
diffused by a white surface.
Public-domain text, read in full here on John Shaqi.
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