"A few minutes later, as will be remembered, came the
gruesome picture of a cart conveying two gendarmes, a
priest and a king who was being led to his death. It
was a confused, fragmentary, mutilated picture,
continually broken up and pieced together again. Why?
For, after all, the thing was not normal. Until then,
as we know and as M. Victorien Beaugrand had told us,
until then the pictures were always admirably
distinct. And suddenly we beheld a flickering,
defective image, confused, dim and at moments almost
invisible. Why?
"At that critical instant, this was the only train of
thought permissible. The horror and strangeness of the
spectacle no longer counted. Why was this, technically
speaking, a defective picture? Why was the faultless
mechanism, which until now had worked with perfect
smoothness, suddenly disordered? What was the grain of
sand that had thrown it out of gear?
"Really the problem was proposed to me with a
simplicity that confounded me. The terms of the
problem were familiar to all. We had before us
cinematographic pictures. These cinematographic
pictures did not proceed from the wall itself. They
did not come from any part of the amphitheatre. Then
whence were they projected? And what obstacle was now
preventing their free projection?
"Instinctively, I made the only movement that could be
made, the movement which a child would have made if
that elementary question had been put to it: I raised
my eyes to the sky.
"It was absolutely clear, an immense, empty sky.
"Clear and empty, yes, but in the part which my eyes
were able to interrogate. Was it the same in the part
hidden from my view by the upper wall of the
amphitheatre?
"The mere silent utterance of the words which
propounded the question was enough to make me almost
swoon with anxiety. They bore the tremendous truth
within themselves. I had only to speak them for the
great mystery to vanish utterly.
"With trembling limbs and a heart that almost ceased
to beat, I climbed to the top of the amphitheatre and
gazed at the horizon. Yonder, towards the west, light
clouds were floating. . . ."
CHAPTER XIV
MASSIGNAC AND VELMOT
"Clouds were floating. . . . Clouds were floating. . . ."
These words of the report, which I repeated mechanically while trying to
decipher what followed, were the last that I was able to read. Night was
falling rapidly. My eyes, tired by the strain and difficulty of reading,
strove in vain against the increasing darkness and suddenly refused to
obey any further effort.
Besides, Velmot rose soon after and walked to the bank of the river. The
time had come for action.
Public-domain text, read in full here on John Shaqi.
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