During the first few days of separation he childishly hoped that he
might hear from her--surely she would write if only to upbraid. But no
letter came. His coat was returned the next morning, but he searched the
parcel in vain for a message. How cruel of Tony!--and yet all children,
even girl-children, are cruel. Their experience of sorrow is limited to
its tempestuous side--they do not know its aching calms; they quench
their thirst with great gulps, and do not know the relief of small drops
of water. This was the price he had to pay for seeking his comfort in
the gaiety of boys and girls instead of in the more stable sympathy of
his contemporaries.
The next two weeks were heartsick and lonely. All day long a piteous
consciousness of Tony was present in the background of his thoughts,
waiting till night to creep into the foreground of his dreams, and
torment him with hungry wakings. Everything that reminded him even of
her type was painful. Little ridiculous things twanged chords of
plaintive memory--a picture of the Roedean hockey-team, with their short
skirts and pig-tails, the demure flappers he sometimes met in his walks,
a correspondence on "moral training in girls' schools" which was being
waged in a daily paper--everything that reminded him of healthy,
growing, undeveloped girlhood, reminded him of Tony, and made his heart
ache and yearn and grieve after her.
He wandered about by himself a good deal in the lanes, snatching his few
free moments after dusk. He no longer tramped furiously--he roamed, with
slow steps and dreaming eyes, drinking a faint peace from the darkness
of the fields. He found comfort, too, in his fiddle, and every evening
he would play through his banal repertory, "O Caro Nome," from
_Rigoletto_, "I Dreamt I Dwelt in Marble Halls," the overtures to
_Zampa_ and _La Gazza Ladra_, the Finale from _Lucia di Lammermoor_. He
became wonderfully absorbed in his fiddling, and had recovered a certain
amount of his old skill and flexibility.
One day he took his violin to East Grinstead, as the sounding post had
fallen down. He came back by a long road--through Hophurst and New
Chapel and Blindley Heath. He stopped at the last to have a drink--it
was a dreary collection of cottages, scattered round a flat, windswept
heath. There were ponds in the corners of the heath, and their waters
were always ruffled by a strange wind. Right in the middle of the waste
was a little house squatting in its own patch of tillage, an island, a
tumble-down oasis, in the great dreariness.
The scene, with the grey, scudding sky behind it, became stamped on
Nigel's brain, as he stood with his beer in the pothouse door. It was
one of those days when it seems as if our own hopelessness has at last
impressed the unfeeling mask of Nature, and caused it to put on the
grimace of our despair.
Public-domain text, read in full here on John Shaqi.
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