"Hullo!" said Nigel--then suddenly he laughed; they all looked so
forlorn, holding out their pinafores and pointing their feet.
"Wait a bit," he said, "my string's broken, but I'll have another on in
no time."
So he did--but not to play a duet with the wind. He played the
Intermezzo from _Cavalleria_, and the dance went on as raggedly as
before. After the Intermezzo he played the Overture to _Zampa_, which
was immensely popular, then threaded a patchwork of _La Somnambula_, the
_Bohemian Girl_, _La Tosca_, and _Aida_, till mothers began to appear on
the doorsteps with cries of "Supper's waiting."
Supper was waiting for Nigel when he appeared at Sparrow Hall. Len and
Janey asked no questions--it was pathetic how few questions they asked
him nowadays--but they both noticed he was happier. He did not speak
much--he sat in a kind of dream, with a wistful tremulousness in the
corners of his mouth. His mouth had always been the oldest part of
him--hard in repose and fierce in movement--but to-night it had taken
some of the extreme childishness of his eyes. Nigel felt very much the
same as a child that cries for the moon and is given a ball to play
with--the ball almost makes him forget that he wants the moon so badly.
Those dancing children had, for some strange reason, partly filled the
place of stalwart Tony in his heart. That night they came and danced in
his dreams--in a pale light, to a tinkling tune. He found himself
forming plans for making them dance again. He would never be on the old
footing with Tony, but those children should dance for him and help him
to forget.
So the next evening he went out again with his fiddle, and played at
Blindley Heath. Again the children danced--with clumping boots and high
petticoats they danced outside the Sweepers Inn. But this time he did
not stay long--he went on to Dormans Land, to see if they would dance
there. It was nearly dark now, and one or two misty stars shone above
the village roofs--the wind was heavy with approaching rain as it
soughed up the street towards him. He did not stand at the inn, but
where the road to Lingfield joins the road to Cowden, close to the
schools. One or two children came and looked at him curiously.
"He wants a halfpenny," said one, "I'll ask my mumma for it."
"No," said Nigel, "I want you to dance."
The children giggled, but at last the little girl who had suggested the
halfpenny picked up her skirts, and then it was not long before they
were all dancing to the waltz from _Traviata_.
Public-domain text, read in full here on John Shaqi.
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